A nameless man comes to Town and gets beaten to death in the first possible moment. Here starts this epic drama, film or should we say a dream of lonely hearts with empty pockets under the big sky of our Lord or should we say birds. –Cannes Film Festival
Aki Kaurismäki did a wide variety of jobs including postman, dish-washer and film critic, before forming a production and distribution company, Villealfa (in homage to Jean-Luc Godard’s Alphaville, une étrange aventure de Lemmy Caution (1965)) with his older brother Mika Kaurismäki, also a film-maker. Both Aki and Mika are prolific film-makers, and together have been responsible for one-fifth of the total output of the Finnish film industry since the early 1980s, though Aki’s work has found more favour abroad. His films are very short (he says a film should never run longer than 90 minutes, and many of his films are nearer 70), eccentric parodies of various genres (road movies, film noir, rock musicals), populated by lugubrious hard-drinking Finns and set to eclectic soundtracks, typically based around ‘50s rock’n’roll.
In the 1990s he has made films in Britain (I Hired a Contract Killer (1990)) and France (La vie de bohème (1992)). —IMDb
A strange cat of a film. I didn't dislike it so much as while I finished it I still didn't know what to make of it. A strange meander of a film with many nice moments but overall I didn't really find too much to really cling to. And what a plug for the Salvation Army.
A simple film that makes you feel good after watching it. Somehow it's similar to what Jarmusch did in the 80's (and maybe 90's).