When his army unit was ambushed during the first Gulf War, Sergeant Raymond Shaw saved his fellow soldiers just as his commanding officer, then-Captain Ben Marco, was knocked unconscious. Brokering the incident for political capital, Shaw eventually becomes a vice-presidential nominee, while Marco is haunted by dreams of what happened — or didn’t happen — in Kuwait. As Marco (now a Major) investigates, the story begins to unravel, to the point where he questions if it happened at all. Is it possible the entire unit was kidnapped and brainwashed to believe Shaw is a war hero as part of a plot to seize the White House? Some very powerful people at Manchurian Global corporation appear desperate to stop him from finding out. —IMDb
Robert Jonathan Demme (born February 22, 1944) is an American filmmaker, producer and screenwriter.
Demme was born in Baldwin, New York, the son of Dorothy Demme and a public relations executive father. Demme has three children: Ramona, Brooklyn, Josephine. He is a graduate of the University of Florida. He also was the uncle of director Ted Demme, who died in 2002.
Demme broke into feature film working for exploitation film producer Roger Corman from 1971 to 1976, co-writing and producing Angels Hard as They Come and The Hot Box, then directing three films (Caged Heat, Crazy Mama, Fighting Mad) for Corman’s studio New World Pictures. After Fighting Mad, Demme moved on to direct the comedy film Handle with Care for Paramount Pictures in 1977. The film was well-received by critics, but received little promotion, and performed poorly at the box office.
Demme’s 1980 film Melvin and Howard did not have a wide release, but received widespread critical acclaim, and led… read more
A critical examination of both versions of the film: http://cinemauprising.blogspot.com/2009/05/from-manchuria-with-love.html
Could have been directed by Brian De Palma. It's a very weird film. There's a constant tension in every scene that makes it even more bizarre.
While the notion of a corporate conspiracy may be more fittingly contemporary a premise than the original Soviet conspiracy, its unfurling here is just nowhere near as claustrophobic or as sinister to be as convincing. Meryl Streep’s dressing downs in her role as the Shaw dynasty’s ruthless matriarch are what prove to be the real points of excitement.
Unflinching dissection of political schizophrenia and brainwash. Current political games are so far away from the ideals they should follow that they render (patriotic) people confused and completely lost. A cinematic revelation with narrative as fragmented and harrowing as the reality it represents.