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The Match Factory Girl

Tulitikkutehtaan tyttö

Sweden, Finland

1990

69 Min
Color
1.85:1
Finnish
  • Currently 4.0/5 Stars.
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DIR Aki Kaurismäki

PROD Aki Kaurismäki, Katinka Faragó, Klas Olofsson

SCR Aki Kaurismäki

DP Timo Salminen

CAST Kati Outinen, Elina Salo, Esko Nikkari, Vesa Vierikko, Reijo Taipale, Silu Seppälä

ED Aki Kaurismäki

SOUND Jouko Lumme

Berlinale (Forum): OCIC Award - Honorable Mention, Edinburgh, Toronto, New York, San Francisco, Berlinale (Forum)

Synopsis

Kaurismäki took his penchant for despairing character studies to unspeakably grim depths in the shockingly entertaining The Match Factory Girl. Kati Outinen is memorably impenetrable as Iris, whose grinding days as a cog in a factory wheel, and nights as a neglected daughter living with her parents, ultimately send her over the edge. Yet despite her transgressions, Kaurismäki makes Iris a compelling, even sympathetic figure. Bleak yet suffused with comic irony, The Match Factory Girl closes out the “Proletariat Trilogy” with a bang—and a whimper. —The Criterion Collection

Director

Original

Aki Kaurismäki

Aki Kaurismäki did a wide variety of jobs including postman, dish-washer and film critic, before forming a production and distribution company, Villealfa (in homage to Jean-Luc Godard’s Alphaville, une étrange aventure de Lemmy Caution (1965)) with his older brother Mika Kaurismäki, also a film-maker. Both Aki and Mika are prolific film-makers, and together have been responsible for one-fifth of the total output of the Finnish film industry since the early 1980s, though Aki’s work has found more favour abroad. His films are very short (he says a film should never run longer than 90 minutes, and many of his films are nearer 70), eccentric parodies of various genres (road movies, film noir, rock musicals), populated by lugubrious hard-drinking Finns and set to eclectic soundtracks, typically based around ‘50s rock’n’roll.

In the 1990s he has made films in Britain (I Hired a Contract Killer (1990)) and France (La vie de bohème (1992)). —IMDb 

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Natasha Strungis

2May12

Great close-ups and shots.

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apexa

7Jan12

A great example of the mundane in film that didn't make you think so but rather be fascinated by visuals of the film and how Kaurismäki tells it.

Ben likes this

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FailedImitator

22Aug11

So so good. Not a single shot was wasted.

Kyle Lewis likes this

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Buy the DVD from The Criterion Collection.