Ex-GI Ken who as a result of a war wound is paralyzed below the waist. In the hospital back home, he passes through an initial period of depression with the help of a sympathetic Dr. Brock and his faithful fiancée Ellen. Ken’s bitter isolation is also overcome with the help of his fellow patients, especially the intelligent young cynic Norm, the witty Leo and serious young Angel. Soon Ken throws himself into the work rehabilitation and after a long period of physical therapy even suspects he may regain the use of his limbs. With the approval and help of the doctor, he and Ellen marry, but on their wedding night both have misgivings about the marriage: the full realization of Ellen’s new responsibilities frighten her and makes her more uncertain than ever, and Ken reverts to self-pity. There is a violent argument, and he goes back to the hospital. But his blazing anger finds no sympathy from his buddies… —IMDb
Vienna-born Fred Zinnemann had childhood dreams of becoming a musician, and later planned on a law career, before his viewing of the movies of Erich Von Stroheim drew him into the movie business, initially as a cameraman. He came to the United States in 1929, and later found work as an editor, and subsequently as an assistant to documentary filmmaker Robert Flaherty, and then as an assistant to choreographer Busby Berkeley. He joined MGM in the late ‘30s as a director of comedy shorts, and won an Academy award for his 1938 short subject That Mothers Might Live. Zinnemann moved up to full-length features in 1941, but found little opportunity to work on anything but B-pictures until 1948, with The Search, a drama set in post-World War II Europe. He didn’t really become a major recognized box-office name as a director, however, until 1952 when his Western drama High Noon, starring Gary Cooper, which had been perceived by most observers as headed for commercial disaster, became a monster… read more
A Stanley Kramer production directed by Fred Zinnemann starring the newcomer Marlon Brando. What a program! I really liked the way the director tells us that THE MEN's main theme is sexuality. Note that one of the first scenes of the film is the doctor's speech in front of twenty woMEN. Brando is already shining. Highly recommended.