Theatrical to a fault, with an annoying sidekick and unnecessary expository dialogue. Easily Kurosawa's worst film, you're better off starting with IKIRU or HIGH AND LOW. Completists be warned: even the Emperor has spots on his record.
Back to basics. Proof that in order to create classic art, you must be free of the constraints of a populist agenda. In this concise masterpiece, Kurosawa returns to the optimistic melodramatic voice which made him great. Here, a sense of brotherhood is better pronounced than in 7 SAMURAI. The flower symbolism is present, as are classic and archetypal characters. The story is pushed along by great wiped transitions.
For writing the script in just two days, Kurosawa implemented a structured story which compliments its short length, while creating an environment fully in a studio, yet remaining atmospherically accurate to the overall setting of the picture.
Feels more like an anecdote rather than a full-fledged story, but at only 59 minutes, it delivers.
A minor and relatively obscure early Kurosawa film and at less than 60 minutes, his shortest. By no means a masterpiece but interesting to see a Master learning the ropes...
Nice little kabuki-esque film featuring an over-the-top performance by rubber-faced Kenichi Enomoto.
It's only 1 hour, looks low budget, you can tell they are on a soundstage instead of outside. But you have some CLASSIC Kurosawa shots and characters. It was like a short live action black and white Anime. Especially the scene with the "Nine-Syllable-Mantra" special move that SCENE (you know what I'm talking about) is on some fuckin crazy anime shit! Not the best Kurosawa film, but a MUST-SEE for fans! Watch it!
Unica incursiòn de Kurosawa en la comedia, esta cinta esta protagonizada por una especie de version japonesa de Jim Carrey (igual de detestable). Una obra menor (aunque con una ediciòn brillante) que resulta ser, sin embargo, toda una curiosidad en la filmografia de este chingòn entre los chingones.