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The Miraculous Life of Teresa of Lisieux

La vie miraculeuse de Thérèse Martin

France

1930

Black and White
1.33:1
Silent
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DIR Julien Duvivier

SCR Julien Duvivier, Therese de Lisieux

DP René Guichard, Armand Thirard

CAST Simone Bourday, André Marnay, Janine Borelli, François Viguier, Lionel Salem, Nikolai Malikoff, Pierre Blondy

PROD DES Christian-Jaque

Synopsis

La Vie miraculeuse de Thérèse Martin (The Miraculous Life of Thérèse Martin), is a French film, silent, directed by Julien Duvivier, and released in 1929. It is a " stark and striking biographical account of the late 19th century Discalced Carmelite nun who died at age 24 from tuberculosis and was canonized in 1925." The film is based on the spiritual autobiography Thérèse wrote, L’Histoire d’une âme. The same material inspired Alain Cavalier’s film Thérèse. “Simone Bourday has genuine adolescent fervour as Thérèse and André Marnay is pathetically fine as her father. The sequence of the taking of the veil has extraordinary documentary force.” Art direction on the film was by the future director Christian-Jaque.

The film follows Thérèse Martin as she moves from the close circle of her family home in Lisieux to the austere world of the Carmel, where she joins her older sisters Pauline and Marie. In this film version of the Saints life the Devil (François Viguier) appears, before her taking of the veil, and again when she lies ill in the infirmary. This is a direct allusion to the trials she faced when she doubted her vocation, and near the end of her life when she wondered how she would die. " In childhood the great events of my life seemed from afar like mountains I could never reach. When I saw other little girls going to First Communion, I said to myself: how shall I ever reach my First Communion? Later: how shall I ever get to the point of entering Carmel? And still later: reach my Clothing, make my Profession? And now I say the same of dying. The devil is about me. I feel him near me. He torments me and holds me with a grip of iron to deprive me of all consolation, trying by increasing my sufferings to make me despair. Oh, how necessary it is to pray for the dying. If you only knew! How needful is that prayer we use at Compline: “Free us from the phantoms of the night!” —Wikipedia

Director

Original

Julien Duvivier

Briefly enrolled at the University in his home town of Lille, France, Julien Duvivier dropped out to study acting in Paris. Hired by Andre Antoine’s Theatre Libre, Duvivier was retained as Antoine’s assistant when the latter began directing films in 1916. After apprenticing under several notables of the French cinema, Duvivier was allowed to direct his first feature, Haceldama ou le Prix du Sang (1919). Working steadily and successfully throughout the 1920s, Duvivier emerged as one of the major French film talents of the early talkie era. He was particularly adept at handling multi-storied films, all-star efforts in which several short vignettes were tied together by a central theme. His two biggest European hits, Un Carnet du Bal (1935) and Pepe le Moko (1937), won Duvivier his first Hollywood contract. He made his American bow with a stylized and heavily romanticized biography of Johann Strauss, The Great Waltz (1938). Duvivier’s best-remembered Hollywood efforts of the 1940s were… read more

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