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The Misfits

United States

1961

124 Min
Black and White
1.66:1
English
  • Currently 3.9/5 Stars.
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DIR John Huston

PROD Frank E. Taylor

SCR Arthur Miller

DP Russell Metty

CAST Clark Gable, Marilyn Monroe, Montgomery Clift, Thelma Ritter, Eli Wallach, Kevin McCarthy, James Barton, Estelle Winwood

ED George Tomasini

PROD DES Stephen B. Grimes, Bill Newberry, Frank R. McKelvy

MUSIC Alex North

Synopsis

Roslyn Tabor, recently divorced and disillusioned with life and men, falls in with a group of misfits that includes aging cowboy Gay Langland, heartbroken mechanic Guido, and worn-out rodeo performer Perce Howland. Theese misfits exist strictly for the moment and Roslyn is at first exhilarated living amongst them. The misfits soon develop a plan to capture another type of misfit — wild mustangs considered too small for riding. The mustangs would then be sold to a dog-food manufacturer. Roslyn is appalled by this seemingly brutal destruction of life and the resulting clash between her idealism and the men’s practicality may mean that Roslyn will lose their friendship and the only real love she has so far known in life. —DVDverdict.com

Director

Original

John Huston

The son of actor Walter Huston, American film director John Marcellus Huston was born in Missouri, travelling widely with his family in vaudeville circles, he enjoyed a wild and unconventional youth.

He boxed, rode horses in Mexico and wrote for magazines in New York, before writing dialogue for Hollywood. Before breaking into directing, Huston also spent time acting and street-performing in Paris and London.

His first film, ‘The Maltese Falcon’, was made in 1941, becoming the classic adaptation, and making a star out of Humphrey Bogart. Bogart also appeared in Huston’s next few films: ‘Key Largo’, ‘Across The Pacific’ and ‘The Treasure of The Sierra Madre’.

It was with the latter that Huston won his first Best Director Oscar. His father, Walter, also appeared in the film, winning Best Supporting Actor.

Making military documentaries during World War II, Huston hit the big time again with his 1950 crime film, ‘The Asphalt Jungle’. Following this was ‘The African… read more

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Daniel S.

1May12

It's about the only romantic American theme: loss of seminal values and nostalgia for a time that is not so distant. Ten years before Peter Bogdanovich's The Last Picture Show, John Huston describes here out of place people looking for a European movie. Masterpiece.

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faelmf

7Jan12

yo Marilyn, Gable and Clift, I'm really happy for you, I'mma let you finish but Eli Wallach stole all the most important scenes

monsieur bornstein likes this

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honeybon

29Aug11

I saw this at TIFF it was not what I expected. I loved it.

chanandre likes this

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Catarina Gomes

13Aug11

I like Huston's method of directing the actors by not telling them what to do. It works particularly well here because the actors are so much alike the characters they´re playing.

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    chanandre

    22Feb12

    Muito bem visto, isso. Gable como macho, Clift como alheado, Monroe como sonhadora/ingénua. Confere.

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