Roslyn Tabor, recently divorced and disillusioned with life and men, falls in with a group of misfits that includes aging cowboy Gay Langland, heartbroken mechanic Guido, and worn-out rodeo performer Perce Howland. Theese misfits exist strictly for the moment and Roslyn is at first exhilarated living amongst them. The misfits soon develop a plan to capture another type of misfit — wild mustangs considered too small for riding. The mustangs would then be sold to a dog-food manufacturer. Roslyn is appalled by this seemingly brutal destruction of life and the resulting clash between her idealism and the men’s practicality may mean that Roslyn will lose their friendship and the only real love she has so far known in life. —DVDverdict.com
The son of actor Walter Huston, American film director John Marcellus Huston was born in Missouri, travelling widely with his family in vaudeville circles, he enjoyed a wild and unconventional youth.
He boxed, rode horses in Mexico and wrote for magazines in New York, before writing dialogue for Hollywood. Before breaking into directing, Huston also spent time acting and street-performing in Paris and London.
His first film, ‘The Maltese Falcon’, was made in 1941, becoming the classic adaptation, and making a star out of Humphrey Bogart. Bogart also appeared in Huston’s next few films: ‘Key Largo’, ‘Across The Pacific’ and ‘The Treasure of The Sierra Madre’.
It was with the latter that Huston won his first Best Director Oscar. His father, Walter, also appeared in the film, winning Best Supporting Actor.
Making military documentaries during World War II, Huston hit the big time again with his 1950 crime film, ‘The Asphalt Jungle’. Following this was ‘The African… read more
yo Marilyn, Gable and Clift, I'm really happy for you, I'mma let you finish but Eli Wallach stole all the most important scenes
I like Huston's method of directing the actors by not telling them what to do. It works particularly well here because the actors are so much alike the characters they´re playing.
(Sorry about the ad at the end here, but the picture quality on this one beats all the other versions I could find.)"Kevin McCarthy
"Named after a sarcastically jubilant lyric from the Clash's 'The Right Profile,' the Brooklyn Academy of Music's Montgomery Clift retrospective