In the Pacific during World War 2, the officers live a comfortable life with good food, good drink and good quarters. To them, war is a game which they know they will win and the common soldiers are the pawns on the board. When the campaign slows down, the Commander sends a squad to the top of a mountain behind enemy lines to report on the Japanese troop movements. The squad is commanded by a tough cynical Sergeant who takes no prisoners and even takes the gold from the teeth of the enemy dead. Before the mission starts, the lieutenant, who has had a cushy job due to a life of wealth and privilege, criticizes the Commander over his attitude towards the common soldier and is re-assigned to lead the squad. The veteran Sergeant wants to complete this mission as ordered, and he will do everything he can do to see that it is successful. —IMDb.
Raoul Walsh’s 52-year directorial career made him a Hollywood legend, and the slam-band nature of his best films means that he is still remembered while the memory of Allan Dwan, a director with an equally long career, has practically faded from public consciousness. Walsh was also an actor: He appeared in the first version of W. Somerset Maugham’s Rain renamed Sadie Thompson (1928) opposite Gloria Swanson in the title role. He would have played the Cisco Kid in his own film In Old Arizona (1928) if an errant jackrabbit hadn’t cost him his right eye by leaping through the windshield of his automobile. Warner Baxter filled the role and won an Oscar. Before John Ford and Nicholas Ray, it was Raoul Walsh who made the eye-patch almost as synonymous with a Hollywood director as Cecil B. DeMille’s jodhpurs.
He interned with the best, serving as assistant director and editor on D.W. Griffith’s racist masterpiece, The Clansman, better known as read more
This was supposed to be Charles Laughton's directorial follow-up to Night of the Hunter, but apparently the earlier film took too much out of him. Walsh stepped in, and there some interesting stuff, including some clear intimations of Malick's The Thin Red Line, but the whole thing's hampered by a dodgy script and mismatched casting.
A look at posters in which actors are absent and the title treatment is king.