The film Hadaka no shima depicts a small Japanese family, struggling to get by on a tiny island in the Seto Inland Sea. They are the island’s only occupants, and survive by farming. They carry water for their plants and themselves in a row boat from a neighboring island.
While the parents are away from the island, the older son falls ill. The desperate father runs to find a doctor to come to treat his son, but when they arrive, the boy is already dead. After the boy’s funeral, the family resumes their hard life, with very limited opportunity for grief. —Wikipedia
Japanese filmmaker/scriptwriter Kaneto Shindo’s most famous directorial efforts include The Island (1960), a nearly silent, but powerful glimpse at a lonely farmer’s daily toil, and Children of Hiroshima (1952), a wrenching and sentimental account of the city’s post-bomb aftermath. Shindo was born in Hiroshima and got his start in films as an art director during the late ’30s. Less than a decade later, he wrote his first screenplays and went on to work with a number of Japanese directors, including Kenji Mizoguchi and Kon Ichikawa. In 1950, Shindo was a co-founder of a production company. He made his directorial debut in 1951 with The Story of a Beloved Wife.
He was married to actress Nobuko Otowa (1925–1994), who appeared in several of his films. He won the 1996 Japan Academy Prize for Director of the Year for A Last Note.— allmovie guide
Shindo's beautiful 'cinematic poem' shows a family struggling to survive against all that nature can throw at them on a small deserted island. Their daily chores and back-breaking work are shown repeatedly to give a real sense of the difficulties they face. Without any dialogue but with stunning cinematography and magnificent music, recent centenarian Shindo created a unique masterpiece and possibly his finest film..
Shindô's best film and a cinematic text book. A pragmatic example of how suggestion is cinema's greatest asset.
Es probable que esta Isla Desnuda, junto con Onibaba, sea la película más famosa de la carrera del director Kaneto Shindō. Plena de elementos autobiográficos y metáforas visuales, en la que el realizador, prescindiendo completamente de diálogos y haciendo gala, en cambio, de una sobrecogedora mirada tan contemplativa como distante, nos hace participes de las duras condiciones de vida de una familia de pescadores, los cuales se hallan presos en un microcosmos del que no parece existir una salida posible. De lo mejor de Shindō.
Does anyone find a similarity between the B & W camerawork of Kiyomi Kuroda and Gabriel Figueroa, the Mexican master?
Updated through 4/23. "A movie that has waited nearly 60 years for a US theatrical premiere and could hardly be more timely, Kaneto Shindo
Comment filmer la vie misérable de paysans japonais sans tomber dans le misérabilisme justement? Difficile et pourtant Shindo y parvient sans difficultés, proposant ce couple qui se bat pour cultiver… read review