The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before ‘they’ kill her. Other mysterious clues show up, further indicating that Claudia’s daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela’s whereabouts. –IMDb
Jaume Balagueró i Bernat (Catalan pronunciation: [ˈʒawme βalaɣeˈɾo]) (born 2 November 1968 in Lleida, Spain), is a Catalan film director widely known for his horror films.
Jaume Balagueró was born in Lleida, and grew up in Barcelona. He studied communications and photography at the University of Barcelona, graduating in 1991 with a degree in Communication Sciences. In 1992, Balagueró began work as a film journalist and radio host with the show “La espuma de los días” on Radio Hospitalet.
Balagueró began his filmmaking career with the short video projects El niño bubónico (1991) and La invención de la leche (1993). In 1994, Balagueró graduated to shooting on 35mm with the short film Alicia (1994). The film won the prize for Best Short film at the Sitges Film Festival. Balagueró returned with the short Days without Light (1995), which achieved similar success on the festival circuit.
Balagueró made his feature-length film debut with The Nameless (1999). Based on the… read more
One of the best and most overlooked Spanish horror films in recent memory. It touches upon a level of twistedness best likened to "Martyrs". Suffice to say, it was so effective that I had to take sedatives to finish watching it. You must see it.
Ciertamente la memoria me engaño, pues recordaba Los Sin Nombre como una película mucho más terrorífica y densa. Sin embargo es genial reconocer como Balagueró a seguido con la exploración del mal en sus filmes posteriores, exploración que siento ha llegado a una síntesis interesante en sus dos últimos trabajos: [REC] y [REC]2. Recomendada con reservas.
The guys behind REC and REC 2 suggested this film in an interview with Rue Morgue. I can see how some of the religious and paranormal themes from THE NAMELESS could have went on to inspire the REC series (and I'm willing to bet that the guys behind MARTYRS were equally as intrigued) but the movie itself is weak, dreadfully slow-moving, and anti-climactic.
One of the very few film adaptations of the work of genius horror author Ramsey Campbell, and it actually does a decent job of retaining Campbell’s eerie sense of dread and character-driven horror… read review