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The Narrow Margin

United States

1952

71 Min
Black and White
1.37:1
English
  • Currently 4.0/5 Stars.
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DIR Richard Fleischer

PROD Stanley Rubin

SCR Earl Felton, Martin Goldsmith, Jack Leonard

DP George E. Diskant

CAST Charles McGraw, Marie Windsor, Jacqueline White, Gordon Gebert, Queenie Leonard

ED Robert Swink

Synopsis

When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he’s coming to trial she has to be escourted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. —IMDb

Director

Original

Richard Fleischer

The son of famed animator Max Fleischer (Popeye, Betty Boop et. al.), Richard O. Fleischer was a psychology student at Brown University when he dropped out in favor of the Yale Drama Department. At age 21, Fleischer organized a campus theatrical troupe called the Arena Players. In 1942, he went to work for RKO-Pathe in New York, editing the company’s weekly newsreels before producing and directing his own short-subject projects, including the March of Time-like This is America and a series of gagged-up silent-film vignettes titled Flicker Flashbacks. In 1946, he headed to Hollywood, there to direct feature films for Pathe’s parent studio, RKO Radio; his last short-subject effort was the Oscar-winning Design for Death (1948). At first limited to “B” pictures, Fleischer gained a loyal critical following with such topnotch films as Follow Me Quietly (1949) and The Narrow Margin (1952).

Perhaps sensing that RKO was on its last legs, Fleischer moved on to MGM, then to Walt Disney… read more

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Displaying 4 of 15 wall posts.
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cinepheel

13Mar12

It's suspenseful and has some witty dialogue. Unfortunately it does get a bit tame at the end. Doesn't quite have the artistic merit of other crime films from this period, but it's well worth a watch.

Greg S.

10Nov11

Excellent use of locations as far as the train goes but on a whole this fell a bit short for me the characters didn't feel distinct enough for me with the possible exception of a few of McGraw's insights about police work. The most interesting character in the film is cast aside and forgotten about as another poster mentioned. Still very worthwhile for noir fans. Worth seeing.

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M Klein

20Sep11

Felt very sorry for the policewoman. Kind of brushed to one side.

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Dave

24May11

A fun, tight film that allows Charles McGraw to play the tough guy as well as anyone. A prime example of how good B-movies of the era could be.

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