Troell writes his own scripts and serves as his own director of photography. His realistic films with a lyrical photography in which nature is prominent have placed him in the first rank of modern Swedish film directors along with Ingmar Bergman and Bo Widerberg, the former considered best of the three.
Troell was born in Limhamn outside Malmö, Sweden. For several years, he worked as an elementary-school teacher but started to make shorts films in the sixties. He became director of photography for Widerberg but soon made a debut with his own first feature, Here’s Your Life (Här har du ditt liv, 1966), about a working class boy in Sweden, set in the beginning of the 20th century. The film was based upon an autobiographical novel by Eyvind Johnson. His next film Who Saw Him Die? (Ole dole doff, 1968) won the Golden Bear award at the 18th Berlin International Film Festival.
Troell’s major work in the 1970s became The Emigrants (Utvandrarna, 1971) and its sequel The New Land… read more
Troell writes his own scripts and serves as his own director of photography. His realistic films with a lyrical photography in which nature is prominent have placed him in the first rank of modern Swedish film directors along with Ingmar Bergman and Bo Widerberg, the former considered best of the three.
Troell was born in Limhamn outside Malmö, Sweden. For several years, he worked as an elementary-school teacher but started to make shorts films in the sixties. He became director of photography for Widerberg but soon made a debut with his own first feature, Here’s Your Life (Här har du ditt liv, 1966), about a working class boy in Sweden, set in the beginning of the 20th century. The film was based upon an autobiographical novel by Eyvind Johnson. His next film Who Saw Him Die? (Ole dole doff, 1968) won the Golden Bear award at the 18th Berlin International Film Festival.
Troell’s major work in the 1970s became The Emigrants (Utvandrarna, 1971) and its sequel The New Land (Nybyggarna, 1972), two epic films about some peasants emigrating from the barren Swedish countryside to America in the 19th century. Once again, Troell films were based upon the novels of a Swedish working-class author, in this case Vilhelm Moberg’s famous Emigrants suite. As in many of Troell’s films, Max von Sydow plays one of the major roles. The Emigrants was nominated for several Academy Awards. After a brief and unsuccessful sojourn in Hollywood, which resulted in the films Zandy’s Bride (1974), starring Gene Hackman, and Hurricane (1979), Troell made The Flight of the Eagle (Ingenjör Andrées luftfärd, 1982). It is a film about S. A. Andrée’s disastrous Arctic balloon expedition of 1897. The Flight of the Eagle was nominated for the Academy Awards (foreign language film).
The release of Il Capitano: A Swedish Requiem (Il Capitano, 1991) became controversial since the film is based upon a true story; the brutal murder of a Swedish family just a few years earlier (see Juha Valjakkala). Yet, it concentrates on the psychological power game between the murderer and his girlfriend rather than the violence of the crime. It was awarded the Silver Bear at the Berlin Film Festival. Troell has also made documentaries, for instance Land of Dreams (Sagolandet, 1988), dealing with modern society’s alienation from nature and A Frozen Dream (En frusen dröm, 1997) in which he once again brings up Andrée’s polar expedition.Even in his seventies, Troell remains productive. His recent films include As White as in Snow (Så vit som en snö, 2001), based on the life of Swedish aviatrix Elsa Andersson, a documentary called Presence (Närvarande, 2003), and his latest film Everlasting Moments (Maria Larssons eviga ögonblick, 2008). He is currently in the early process of making a new film, about the Swedish journalist Torgny Segerstedt—wikipedia
