Schlesinger was born in London into a middle class Jewish family, the son of Winifred Henrietta (née Regensburg) and Bernard Edward Schlesinger, a physician. After Uppingham School and graduating from Balliol College, Oxford, he worked as an actor.
One of his earliest films, the British Transport Films’ documentary Terminus (1960), gained a Venice Film Festival Gold Lion and a British Academy Award. His first two fiction movies, A Kind of Loving (1962) and Billy Liar (1963) were set in the North of England. A Kind of Loving won the Golden Bear award at the 12th Berlin International Film Festival in 1962.
His third Darling (1965) described tartly the modern urban way of life in London and was one of the first films about ‘swinging London’. Schlesinger’s next movie was Far From the Madding Crowd (1967), an adaptation of Thomas Hardy’s popular novel. Schlesinger’s Midnight Cowboy (1969) was internationally acclaimed… read more
Schlesinger was born in London into a middle class Jewish family, the son of Winifred Henrietta (née Regensburg) and Bernard Edward Schlesinger, a physician. After Uppingham School and graduating from Balliol College, Oxford, he worked as an actor.
One of his earliest films, the British Transport Films’ documentary Terminus (1960), gained a Venice Film Festival Gold Lion and a British Academy Award. His first two fiction movies, A Kind of Loving (1962) and Billy Liar (1963) were set in the North of England. A Kind of Loving won the Golden Bear award at the 12th Berlin International Film Festival in 1962.
His third Darling (1965) described tartly the modern urban way of life in London and was one of the first films about ‘swinging London’. Schlesinger’s next movie was Far From the Madding Crowd (1967), an adaptation of Thomas Hardy’s popular novel. Schlesinger’s Midnight Cowboy (1969) was internationally acclaimed and it won Oscars for Best Director and Best Picture.
His later films include Sunday Bloody Sunday (1971), The Day of the Locust (1975), Marathon Man (1976), Yanks (1979), Pacific Heights (1990), A Question of Attribution (1991), The Innocent (1993) and The Next Best Thing (2000).
Schlesinger also directed Timon of Athens (1965) for the Royal Shakespeare Company and the musical I and Albert (1972) at London’s Piccadilly Theatre. From 1973 he was an associate director of the Royal National Theatre.
Openly gay, Schlesinger dealt with homosexuality in Midnight Cowboy, Sunday Bloody Sunday and The Next Best Thing, and two main characters in Marathon Man were at least implicitly gay. Speaking about Midnight Cowboy’s unflattering portrayal of homosexuality, he stated that he was against political correctness and the self-censorship it encourages, which would prevent such a film from being made today.
Schlesinger also directed a notable party political broadcast for the Conservative Party in the United Kingdom general election, 1992 which featured Prime Minister John Major returning to Brixton in south London where he had spent his teenage years, which highlighted his humble background, atypical for a Conservative politician. Schlesinger admitted to voting for all three main political parties in the UK at one time or another.
The book and TV series The Glittering Prizes, writer Frederic Raphael, who won the Best Screenwriting Oscar for his work on Schlesinger’s film Darling, feature a character believed to be based on Schlesinger. —Wikipedia
