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The Night of the Iguana

United States

1964

125 Min
Black and White
1.85:1
English, Spanish
  • Currently 3.9/5 Stars.
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DIR John Huston

PROD Ray Stark, Sandy Whitelaw, Emilio Fernández

SCR Tennessee Williams, Anthony Veiller, John Huston

DP Gabriel Figueroa

CAST Richard Burton, Ava Gardner, Deborah Kerr, Sue Lyon, Skip Ward, Grayson Hall, Cyril Delevanti, Mary Boylan, Emilio Fernández

ED Ralph Kemplen

PROD DES Stephen B. Grimes

MUSIC Benjamin Frankel

San Sebastián (Best Actress): Prize San Sebastián

Synopsis

When American minister Reverend T. Lawrence Shannon is expelled from his Virginia church, he travels to Mexico in search of his destiny and sanity. There he becomes a tour guide for a bus load of spinsters and a teenage nymphet named Charlotte Goodall, who is being chaperoned by the group’s leader, the inflexible Judith Fellowes. Miss Fellowes, who is quite jealous of Charlotte’s attentions to Shannon, discovers the young woman in his room and vows to have him fired. To thwart her plot, Shannon takes control of the bus from Hank, the bus driver, and speeds the tour group on a wild ride through the Mexican jungle to the crumbling, secluded hotel of an old friend, the recently widowed Maxine Falk. Eventually Shannon becomes enamored with another guest at the hotel, the rather genteel Hanna Jelkes, an itinerant quick sketch artist and her poet grandfather Nonno. As the wise Hanna partially restores Shannon’s fractured world, Shannon struggles to get back the rest of his sanity and his self-respect. —IMDb

Director

Original

John Huston

The son of actor Walter Huston, American film director John Marcellus Huston was born in Missouri, travelling widely with his family in vaudeville circles, he enjoyed a wild and unconventional youth.

He boxed, rode horses in Mexico and wrote for magazines in New York, before writing dialogue for Hollywood. Before breaking into directing, Huston also spent time acting and street-performing in Paris and London.

His first film, ‘The Maltese Falcon’, was made in 1941, becoming the classic adaptation, and making a star out of Humphrey Bogart. Bogart also appeared in Huston’s next few films: ‘Key Largo’, ‘Across The Pacific’ and ‘The Treasure of The Sierra Madre’.

It was with the latter that Huston won his first Best Director Oscar. His father, Walter, also appeared in the film, winning Best Supporting Actor.

Making military documentaries during World War II, Huston hit the big time again with his 1950 crime film, ‘The Asphalt Jungle’. Following this was ‘The African… read more

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ramosbarajas

28May12

Great film. Burton's panicky character can take a while to get used to, but from then on it's a perfect film. The performances and the screenplay are stupendous. Those are probably the showiest and best elements. Ava, Ava, Ava. Such a perfect person, actor, character. Figueroa's photography was perfect, like always. Tennessee William's source play must be great... I'll get to reading it soon.

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actingoutpolitics

22Apr12

“The Night of Iguana” (1964) – Overcoming the Conformist and Belligerent Ego: Birth of a Human Internal World The Courage to Transcend the Pious Philistinism of Conventional Religious Belief – Liberation of Reverend Lawrence Shannon “The Night of Iguana” by John Huston (1964) is describing what today, in a time of growing joblessness, pauperization and desperate need for any kind of work can be seen less and less – when a person searching for the meaning of life is able, for the sake of internal truth, to lose job, career and a stable future as soon as having all this contradicts his/her moral ideal and/or essential understanding. Reverend Lawrence Shannon (Richard Burton who knows how to be emotionally intense in an intelligent way) found himself in this very situation and was punished for “deviating” from the prescribed “faith” when he tried to explain to his parishioners that their egoistic and indifferent belief of philistines dreaming of personal salvation regardless of what is going on around them, is not a proper way to believe. Losing job and a stable future opened for Shannon a whole new perspective of following his spiritual transformation not in a traditional sense, like changing one denomination or religion for another, but changing religion for spirituality of living. In spite of dangerous moments appearing when a person having thrown away the old identity and values is trying to find new meaning of living, Larry, with the spiritual help of two amazing people he meets by chance, is able to go through his ordeals. We, viewers, follow Shannon shifting his life from the pomposity of the churches and cathedrals, domes and steeples to a barely bearable existence on a miserable salary, to a world of beauty and tranquility of nature and, finally, to a world where meaning is the other side of living. Huston’s film is a call for worldly spirituality. Debra Kerr, Ava Gardner and Richard Burton are at their best considering the not easy conditions of acting in Hollywood films (today the situation is even more difficult) when actors need to act “charismatically”, irradiate the perfume of appeal to the public, worry about not being understood by viewers with passive/lazy perception, and try in a talented/unique way to imitate the clichés of emotional self-expression.

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Daniel S.

21Mar12

Good Tennessee Williams adaptation. The good surprise of the film is Ava Gardner who's not as hieratic as she seems after all, thanks to John Huston. Nonetheless, Joseph L. Mankiewicz's Suddenly, Last Summer remains the reference among Tennesse William's adaptations. Recommended.

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Stardust Memory

14Oct11

The poem of the old man at the end of the movie moved me to tears. ("How calmly does the olive branch/ observe the sky begin to blanch ...")

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Drowning slowly

By Pierlui​gi Puccini on February 12, 2010

One thing that fascinates me about John Huston’s body of work is the way he sympathizes with his characters, usually men drowned by sorrow and guilt whose dreams blew up on their faces and now only…  read review

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