In the third—and arguably greatest—of Lumet’s five collaborations with Sean Connery, the actor gives a revelatory performance as a burned-out British detective on a task force searching for an accused child molester. When a suspect (Ian Bannen) is brought in for questioning, the detective suddenly snaps and beats the man to a bloody pulp, igniting an inquiry supervised by an equally weary, worn-down investigator (Trevor Howard). A pet project of Connery, who insisted United Artists make the film as a condition of his return to the James Bond franchise, The Offence remains one of Lumet’s most penetrating (and least known) studies in the politics and psychology of law enforcement. —Film Society of Lincoln Center
Sidney Lumet (born June 25, 1924) is an American film director, with over 50 films to his name, including 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982), all of which, except for Serpico (1973), earned him Academy Award nominations for Best Director.
According to The Encyclopedia of Hollywood, Lumet is one of the most prolific directors of the modern era making more than one movie per year on average since his directorial debut in 1957. He is especially noted for his ability to draw major actors to his projects. “Because of his visual economy, strong direction of actors, vigorous storytelling and use of the camera to accent themes,” states Turner Classic Movies. “Lumet produced a body of work that could only be defined as extraordinary.”
One of his steady themes during his career has been the “fragility of justice and the police and their corruption,” according to Thomson’s Biographical Dictionary of Film. He can deliver… read more
Impressive work of Sean Connery as Detective Sgt. Johnson, resisting in front of colleagues and in his private life not to spill the cesspool inside his head. The immersion in this man's shattered mind reminded me vaguely of Guy de Maupassant's short story "Diary of a Madman".
Interesting but uneven. Lumet crafts some effective scenes, and there's a lot of strong atmosphere, but it gets off to an extremely slow start, and remains awkwardly-paced throughout. Sean Connery gives a superb performance in one of his most complex roles, and his scenes with Trevor Howard and Ian Bannen do reach a compelling intensity, but overall the film is just too uneven to be considered any kind of classic.
If you take a look at some of the other movies Sean Connery was making during and immediately after his tenure as James Bond, they reveal an actor working desperately hard not to be typecast. His roles… read review