We see the various birds, mice, and bats that have moved into an old windmill, followed by the frogs, crickets, and fireflies making their music in an adjacent pond. Then a storm comes, shaking loose parts in mill and threatening everything we’ve seen. —IMDb
Walt Disney first came to rely upon Wilfred Jackson’s genius and sense of perfection, the year Mickey Mouse was born, 1928. At that time, Walt had conceived the notion of marrying music and animation during what was the age of silent movies. Then a new kid in the Studio’s animation department, Wilfred devised a method of synchronizing animation with music, by using a metronome to mark time that could then be converted to a music track. The innovation, which was featured in Mickey Mouse’s debut film “Steamboat Willie,” revolutionized the entertainment medium and competing studios spent more than a year trying to figure out Disney’s production “secret.”
Walt quickly promoted “Jaxon,” as he was called, from animator to director. And as Frank Thomas and Ollie Johnston wrote in their book, “Disney Animation: The Illusion of Life,” — "Jaxon was easily the most creative of the directors, but he was also the most “picky” and took a lot of kidding about his thoroughness."
Born… read more
Oscar-winning Disney animator Wilfred Jackson (“The Country Cousin” & “The Band Concert”) pioneered the use of the multiplane camera in this Silly Symphony which won an Academy Award and was voted… read review