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Picture of nowhere_fast

nowhere_fast

24Nov11

bad, bad. I think it's really depressive and sad, and in the aftwer words, it made me cry so bad.

Picture of Marta

Marta

24Nov11

Portman was outstandind yet I feel like they charged the plot too much and then didn't developed it properly due to the material wich was just too much and didn't allow to focus properly one just one thing. Struggling with the loss of a child plus how to be a good stepmother plus daddy issues are three different movies, don't mash stuff up and then just shake it!

Picture of Westley

Westley

8Oct11

The last 10 minutes of the movie ruined it for me. Total cop-out ending.

Picture of Juan Barquin

Juan Barquin

13Apr11

You know, I really don't see where all the hatred for the film comes from. Portman was spectacular in this and played a much more realistic character than what she's usually given and she works very well with a decent script that deals with an emotional subject like the loss of a child and the effects that can have on a person.

Amy likes this

  • Picture of Amy

    Amy

    9May11

    i just think people aren't used to focusing on "the other woman" - wait for my review on May17th ;D

Picture of Natalie Guevara

Natalie Guevara

10Feb11

I watched this movie on an HD flatscreen, so it looked very whirred-up and cheap: not into it. This is not an offensive movie, it's just terribly awkward and half-assed. I can almost hear someone whisper, "Uh oh, no more budget." One thing it has going for it: N. P., freed from playing a "likable," fragile character -- go 'head, exercise that inner bitch, Nat! & a GOOD child actor. not cute, very tow-headed & real.

  • Picture of NU

    NU

    5May11

    Natalie, movies are meant to be seen on a silver screen and not in your living room, on a HD flatulentscreen.

Picture of MARK IS SUSPENDED IN GAFFA

MARK IS SUSPENDED IN GAFFA

27Nov10

Natalie Portman delivers a magnificent performance in effortless fashion as Emilia, a stepmother enduring the loss of her newly born daughter, Isobel. Emotionally-challenging motherhood drama, told in non-linear style by director and co-writer Don Roos, is too stirring to dismiss and too down-to-earth to dislike. Your writer wept often, without shame, over this beautiful work of cinema. Duration: 119 minutes.