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Synopsis

The tension between two groups: The Greasers and The Socials “Socs” puts Ponyboy Curtis and his best friend Johnny Cade in a bad spot. One night at the movies, Ponyboy and Johnny fall in love with Sherri “Cherry” Valance and Marcia – once they get Dally Winston, the toughest and meanest of the Greasers to stop attempting to “score” with the girls. Cherry and Marcia are from the snobbish, popular, and rich group, the Socs. —IMDb

Director

Original

Francis Ford Coppola

He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more

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Insert cool name here

20May13

The original cut moves way too quickly which means there is no real character development, but in the extended cut, the characters have a lot more screen time.

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Ana Aguiar

21Feb13

Borderline trashy and cliché, but seriously amusing movie.

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João Eça

10Jul12

totally unnecessary follow-up to Rumble Fish

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Frankly, Mr. Shankly

8Jul12

maybe way too sentimental, but still a pretty good portrait of that generation.

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Nostalgia

By Pierlui​gi Puccini on April 19, 2010

Coppola’s talent behind the camera is undeniable. I particularly like Ponyboy’s memoirs at the theater after he sees “the hustler” and the “nothing gold can stay” moment with his partner Johnny.
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