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Displaying wall posts 1 - 30 of 87 in total
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comeandsee

30Jan12

for me, the best silent film ever made.

melly likes this

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Jon

24Jan12

oh, Bobby Bresson, you silly old man; this is a masterpiece.

Siksinaaq

18Jan12

Fantastic ending sequence.

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Howard Orr

26Dec11

Astoundingly powerful. One of the relatively few silent films that hasn't aged because of its rigorous insistence on minimalism: close-ups with no establishing shots, bare sets, its exploration of inner faith eschewing any objective survey of the existence of God...and perhaps the greatest performance in all of cinema.

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Aquieu

22Nov11

Completely unbelievable. If you've seen it then I don't need to give further praise because you already know how spellbinding it is. And to think that the lost print of this was mysteriously found in a Norwegian mental institution.. the history that surrounds this film is almost mythic..

soiwaswrong likes this

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Robin Whenary

20Nov11

It is impossible to be accused of hyperbole when describing how great this film is! The use of wideangle lenses for close-ups gives it an incredible intimacy. The Voices of Light soundtrack on the Criterion DVD goes very well with the film.

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Bobby Wise

13Nov11

Did Bresson have this film in mind when he wrote, "In every art there is a diabolical principle which acts against it and tries to demolish it. An analogous principle is perhaps not altogether unfavourable to cinematography." The film is a miracle because every shot destroys what came before. Each cut completely rewrites the rules of the construction, regenerating spatial relations and every other causal juncture

WhatsUpWill likes this

radioheadjul

8Nov11

I'm so impressed on how perfect this is on every possible way.

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Richard Vialet

2Nov11

Finally just watched this and was floored. This is one phenomenal flick! From the scene when they first drag Joan outside to confess until the end, the movie is way more intense than most out these days! It's such a good feeling whenever you see a movie that is so good and it feels like it's quickly becoming one of your favorites!

Nate B. likes this

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Hellshocked

31Oct11

There has never been a testament to pain and endurance as profoundly affecting as "The Passion of Joan of Arc". It is a singular, hypnotic achievement held together by Maria Falconetti. Fitting then that this was her sole screen appearance as she delivered what is may be the greatest performance ever put to film. To stare into her eyes is to be forever haunted. It aches to meet her gaze yet it is impossible not to.

odilonvert likes this

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Mr. Marston

30Oct11

This is perfect in so many ways.

Picture of Braden Vallenères

Braden Vallenères

20Sep11

I just had the opportunity to see a beautiful 35mm print of this on the big screen, which really brought home how beautiful and profound this film is. If you ever have the chance to see a projection of Passion, do not pass it up!

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Stephen Campbell

14Sep11

One of the greatest films of the silent era

Mouad Lemoudden

13Sep11

on a very basic level, 'Passion' is a gruelling inspection of the soul of a deeply spiritual and mystical woman. performed with the utmost dedication from Renee Maria Falconetti, in a flawless portrait of torment and passion.

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Daniela

31Aug11

It's hard to believe this movie was almost lost.

João M. likes this

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Daniela

31Aug11

(O.O) (._.) (O A O) (Y _ Y) ( ´ Д `) (T ___ T) (> . > ) (X w X)

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Francisco R.

8Aug11

It is interesting to see how different this film is compared to the rest of Dreyer's silent works, stripped down of any major contextualization, we are shown the well known trial through a cadenza of close-ups, an approach that is both original (and the director's signature in his style) as intensified by the talent of the wonderful Falconetti.

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Abi

26Jul11

Absolutely stunning

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davefilkins

21Jul11

The most powerful visual performance I have ever seen.

James Devereaux

2Jul11

Maria Falconetti’s performance in Carl Theodore Dreyer’s The Passion Of Joan Of Arc is the most astonishing and astounding in all cinema. It is a performance of whose intensity of expression has completely overwhelmed me, & utterly captivated me, & I am still, several days after seeing it, struggling to come to terms with it’s impact upon me as a film viewer, and as an actor. In short, I can’t get it out of my head.

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Andreia Ribeiro

16Jun11

Absolutely stunning!

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Dave

20May11

Whether silent, with the new score, or however you watch it...moving beyond words. This is what cinema is about.

M. Hulot and davefilkins like this

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Pouya G. Asadi

17Apr11

Wish all of you saw what i witnessed with this film on thursday night. my favorite group from chicago Joan of Arc played a set to the film in its entirety. quite moving

Picture of James Hogue

James Hogue

18Mar11

A most disturbing and awsome bit of filmaking. Never will you see an actress play role with more emotion. Haunting camera work as well.

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Maria da Luz

18Mar11

This film is full of beautiful accidents, the fly (s) scenes are unbelievable.

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Mon

27Feb11

mind blown

WhatsUpWill likes this

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Aimee

24Feb11

my gawd, this film. Dreyer's use of shots and minimalistic sets are effective, but the really haunting thing about this movie is the amount of realism that went into this film (actually cutting Falconetti's hair and removing her blood). I'll never forget this film

Picture of Bijoux Alexanderplatz

Bijoux Alexanderplatz

9Feb11

After constant reminders from a certain DVD distributing site that I'd be interested in it, and seeing it pop up everywhere on here, I watched it. Really powerful film. Definitely my favourite silent film, and I've seen some amazing ones.

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Dr. Strangelove

1Feb11

Easily top 5 greatest films ever made. The ultimate example of flawless filmmaking, never to be surpassed again. The medium can never express something this perfect again. To say that Dreyer is a genius, or that Falconetti is brilliant is trying to put into words the utter manifestation of pure art in its truest form. You'll know why Anna Karina was crying in Vivre Sa Vie.

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tony1990

23Jan11

That Falconetti gives the performance of a lifetime goes without saying. But what truly pieces the film into the spectacle it has grown to become is Dreyer's direction. Defying the standards of cinematic grammar, he took a bold visual construction by ratifying the conventional order of a shot and ended up with a masterwork that's as fresh and vibrant as it is poignant and powerful.