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The Pope of Greenwich Village

United States

1984

121 Min
Color
1.85:1
English
  • Currently 3.5/5 Stars.
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DIR Stuart Rosenberg

PROD Gene Kirkwood, Hawk Koch

SCR Vincent Patrick

DP John Bailey

CAST Eric Roberts, Mickey Rourke, Daryl Hannah, Geraldine Page, Kenneth McMillan, Tony Musante, M. Emmet Walsh, Burt Young, Anna Thomson

ED Robert Brown

PROD DES Paul Sylbert

MUSIC Dave Grusin

Synopsis

“Little Italy” in New York: Charlie and his cousin Paulie aren’t lucky job-wise. Charlie is cool, but Paulie’s maroonic behavior constantly brings them in trouble. Then Paulie comes up with the idea to rob the safe of a small company. Together with a safe expert they go for it. However the $150,000 they get are hot: it belongs to the mob and was intended to corrupt the police. The mob only knows the name of the safe man, but they try very hard to find the rest of the gang, too… —IMDb

Director

Original

Stuart Rosenberg

Stuart Rosenberg (August 11, 1927 – March 15, 2007) was an American film and television director whose notable works included the movies Cool Hand Luke (1967), Voyage of the Damned (1976), The Amityville Horror (1979), and The Pope of Greenwich Village (1984).

Early life and career

Born in Brooklyn, New York City, New York, Rosenberg studied Irish literature at New York University in Manhattan, and began working as an apprentice film editor while in graduate school. After advancing to film editor, he then transitioned into directing in 1957 with the syndicated television series Decoy, starring Beverly Garland as an undercover police woman. It was the first police series on American television built around a female protagonist.

Over the next two years, Rosenberg directed 15 episodes of the 1958–1963 ABC police-detective series Naked City, which like Decoy was shot in New York City. Rosenberg was then hired to direct his first film, Murder, Inc. (1960), starring Peter… read more

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Displaying 4 of 5 wall posts.
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Uli³Cain

24Jan12

Strong performances from Rourke and Roberts, especially the fact Roberts made me want to punch him in the face, but it's a weak intimation of Mean Streets.

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Christopher Smith

12Oct11

An earnest attempt at a Scorsese-esque New York street drama, but one I just couldn't connect with. Mickey Rourke and Eric Roberts are both fine actors, but their characters here are so shrill and obnoxious they border on caricature. Not a terrible film, technically, but this fatal flaw makes the film as a whole uninvolving and often annoying more than anything.

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Qiydaar Foster

10Sep11

MIckey Rourke is beautiful and excellent here, but my god, Eric Roberts gives one of the best performances I've EVER seen in my fucking life.

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Astrojanitor

24Jan11

Roberts is so good in this it's ridiculous

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