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The Portuguese Nun

A Religiosa Portuguesa

Portugal, France

2009

127 Min
Color
1.85:1
Portuguese, French
  • Currently 3.7/5 Stars.
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DIR Eugène Green

EXEC Luís Urbano

PROD Sandro Aguilar

SCR Eugène Green

DP Raphaël O'Byrne

CAST Leonor Baldaque, Francisco Mozos, Ana Moreira, Adrien Michaux, Diogo Dória, Aldina Duarte, Eugène Green, Beatriz Batarda, Carloto Cotta, Camané

ED Valérie Loiseleux

PROD DES Zé Branco

SOUND Vasco Pimentel

São Paulo (Perspective), San Francisco (World Cinema), Melbourne (International Panorama), Locarno (International Competition), BAFICI (Trayectorias), CPH PIX (God Is in the House)

Synopsis

Young French actress Julie de Hauranne speaks Portuguese like her mother but has never been to Lisbon. She arrives in the city for the first time just as they are about to start shooting a film based on the Letters of a Portuguese Nun by the Count of Guilleragues, a French nobleman from the 17th century. She quickly becomes fascinated by a nun who prays every night in the chapel of Our Lady of the Mountain, on Graça Hill. During her stay, the young woman has a series of encounters that seem as ephemeral and inconsequential as those from her past. And so, on the night she finally speaks to the nun, she manages to perceive the meaning of life and of her destiny. —mostra.org

Director

Original

Eugène Green

Born in New York, in 1947. After moving to France in 1969, he studied literature, linguistics, art and film history and got a French citizenship in 1976. In 1999, he made his debut with Night After Night, at the age of fifty. In 2001, he received the Luis-Delluc Prize, and gained attention as his second feature The Living World was screened at the Cannes Film Festival 2003. His short film The Signs was also invited to the Cannes Film Festival. He is now working on The Silent Fields, Life is a Dream, and The Portuguese Nun. —Jeonju International Film Festival 

Wall

Displaying 4 of 18 wall posts.
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syzygos

26Apr13

Hmmm. Very poetic, but the hieratic dialogues and mannerist acting take some getting used to. As someone else has said, in real life, no-one talks like this, but it is a mirror held up to the soul, and those who can look long enough in this mirror will see.

Picture of KolorRian

KolorRian

18Mar13

beautiful film about rebirth

Picture of teresavontrier

teresavontrier

9Feb13

Foda-se. Não há outra palavra que descreva esta obra de Eugène Green. Um grande e gordo "FODA-SE.". Aplaudo de pé, olhos chorões e com múltiplos "Bravos!" à mistura. Um grato Obrigado, há muito que não via um filme tão gloriosamente delicioso. Um Filme, com capitular. Cinema, meus senhores.

Picture of Bitė

Bitė

2Feb13

and all of sudden, i'm happy

KolorRian and 2 others like this

S(chönhauser)Allee, Johnde

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Fans

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Articles

Our roundup of essays and articles on this film.
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"Neds," "Applause," "Mamma Roma," More

By David Hudson on January 21, 2011

"Just when you thought British cinema was in danger of stalling in its default mode — classy crowd-pleasing, with award-worthy millinery

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W184

"Open Five," "Kuroneko," "The Portuguese Nun," More

By David Hudson on October 21, 2010

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W184

The Word Made Image: A Questionnaire for Eugène Green

By Ignatiy Vishnevetsky on October 21, 2010

If there's any modern director who could be called an ascetic of the spoken word, it’s Eugène Green. It’s not that his films aren’t talky;

read article
W184

53rd London Film Festival: A Round-Up

By Edwin Mak on November 6, 2009

Above: Pema Tsedan’s The Search. Now that the red carpets on Leicester Square have furled, the maddening din over square-jawed celebrities

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Reviews

Displaying 1 of 1

PAYING ATTENTION: a Review of Eugène Green’s ‘A Religiosa Portuguesa’ (The Portuguese Nun)

By Alban Goulden on August 6, 2010

There are so many things about Green’s movie that strain the viewer’s credulity: the character Julie de Hauranne (played with careful understatement by Leonor Baldaque) can speak idiomatically fluent…  read review

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