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The Rabbit Is Me

Das Kaninchen bin ich

East Germany

1965

110 Min
Black and White
1.37:1
German
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DIR Kurt Maetzig

SCR Manfred Bieler, Kurt Maetzig

DP Erich Gusko

CAST Angelika Waller, Alfred Mueller, Ilse Voigt, Wolfgang Winkler, Helmut Schellhardt

ED Helga Krause

PROD DES Alfred Thomalla

MUSIC Reiner Bredemeyer, Gerhard Rosenfeld

SOUND Konrad Walle

Berlinale (Forum), Berlinale (Happy Birthday, Studio Babelsberg)

Synopsis

The Rabbit Is Me was made in 1965 to encourage discussion of the democratization of East German society. In it, a young student has an affair with a judge who once sentenced her brother for political reasons; she eventually confronts him with his opportunism and hypocrisy. It is a sardonic portrayal of the German Democratic Republic’s judicial system and its social implications. The film was banned by officials as an anti-socialist, pessimistic and revisionist attack on the state. It henceforth lent its name to all the banned films of 1965, which became known as the “Rabbit Films.” After its release in 1990, The Rabbit Is Me earned critical praise as one of the most important and courageous works ever made in East Germany. It was screened at The Museum of Modern Art in 2005 as part of the film series Rebels with a Cause: The Cinema of East Germany. —defafilmlibrary.com

Director

Original

Kurt Maetzig

Kurt Maetzig was born in Berlin-Charlottenburg in 1911. His father owned a film duplication facility and his mother came from a wealthy family of tea merchants from Hamburg and Denmark. Maetzig lived in Hamburg-Harvestehude with his grandmother during the First World War. After completing secondary school, he studied chemistry, business administration, and political economics in Munich. He also attended lectures at the Sorbonne in Paris. In 1932 he began a series of internships with filmmakers. Maetzig completed his studies in Munich in 1935 with a degree in business and then worked for his father. In 1934 he was denied work by the Nazi Reichsfilmkammer because his mother was Jewish. Maetzig worked as a specialist in film technology and photochemistry for a number of Berlin firms and eventually ran his own laboratory for photochemistry.

In 1944 Maetzig joined the underground German Communist Party; he was one of the members of the Filmaktiv involved in the founding of DEFA. He… read more

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