The core plot begins with the kidnapping of Patrick, the son of a wealthy industrialist. Sexual and romantic engtanglements push the drama forward. At the film’s climax, Gudrun delivers a soliloquy on the importance of personal life in revolution. She puts particular emphasis on the breaking of heterosexual and possessive sexual norms, urging her comrades to join “The Homosexual Intifada”.
The pressure of Gudrun’s controlling personality causes the group to break up. Most of the urban guerrillas escape into the night. In the dénouement, the characters are visited some time later. Several have found happiness in the homosexual relationships established during their revolutionary activities. Che has become a terrorist trainer in the Middle East. Patrick escapes with Clyde, where they embark on a spree of bank robberies. This action is reminiscent of Patty Hearst’s actions with the SLA. Gudrun and Andreas settle down and have a child named Ulrike (after Ulrike Meinhof), whom Gudrun believes could embody the next generation of the Red Army Faction.
Bruce LaBruce is a writer, film-maker, and photographer stuck in the gulag otherwise known as Toronto, Canada. He started out as a child, then quickly moved on to the production of homo punk fanzines (J.D.s [with G.B. Jones], Dumb Bitch Deserves To Die [with Candy Parker]) and super 8 movies (Boy/Girl, I Know What It’s Like To Be Dead, Bruce and Pepper Wayne Gacy’s Home Movies [with Candy Parker], Slam!). These products helped to launch the so-called Homocore or Queercore movement which corrupted a whole new generation of homosexuals.
In 1991 LaBruce released his first feature length film. No Skin Off My Ass – an exploration of the sordid relationship between a faggoty hairdresser (played by LaBruce himself) and a mute, handsome young skinhead – went on to become a world-wide cult hit. His follow-up feature Super 8 1/2 (1994) is a harrowing cautionary bio-pic about LaBruce’s rocky rise to cult stardom. LaBruce… read more
What the fuck did I just watched!? haha... the activist thing is ok but i don't want to pretend that I understand it, but if activists are like them, I'd rather be a capitalist!!! Sex scenes are so irrelevant to me even though Gudrun had raise her point but still so absurd.... It's like watching "Bruno" with social relevance...
Godard changed my point of view on filmmaking. Waters changed my point of view on morality. Then came Bruce and laughed at it all+++