On the pretext of being a small Danish theatre troupe on a cultural exchange, the Red Chapel was granted permission by the North Korean government to stage a performance for a select audience in the capital. In reality, the small troupe comprises an unscrupulous journalist, Mads Brügger, and two Danish/Korean comedians, Jacob and Simon. Jacob is handicapped, or as he calls it, a “spastic.” Their goal is to use humour to expose the intricate effects of an oppressive regime. The film follows the troupe as they are lovingly yet firmly escorted by a motherly government employee around the important historical sights, and as they “collaborate” with other government officials on their performance. Meanwhile, their double life is wearing on Jacob who feels conflicting emotions of affection and hatred for his hosts. With a sensibility similar to that of Lars Von Triers’ The Idiots, The Red Chapel is a darkly humorous look inside the North Korean dictatorship. —Hot Docs
Mrs. Pak is now one of my favorite characters in cinema history--all three of her. There's the character she plays for the Danes, the character she must embody every day, the person who feels genuine love for the Great and Dear Leaders, and the person that is hidden somewhere beneath these facades.
More about the North Korean's treatment of the handicapped than it is about comedy. We truly get a glimpse of the most unusual of circumstances: a culture, conditioned to view the handicap population as inferior [handicaps are either killed or sent off to work camps to die in North Korea] are faced with South Korean/Danish handicap Jacob. What do they learn? Well, first of all, that handicap people can be people too.
A Danish filmmaker and 2 comedians go to N. Korea, and come back with a surprisingly moving act of cinematic subversion. At once a gleefully underhanded "Punking" of the Dear Leader, and a frightening look at real life 1984 run amok.
One of the highlights of the Korean American Film Festival New York, whose fifth edition runs through the weekend, is a retrospective of
"Class consciousness has frequently played a role in Mike Leigh's films, and not only because, as a storyteller whose native terrain is
Rainer Werner Fassbinder's World on a Wire, "an obscure two-part television movie he made in 1973, is a textbook example of a film that
Erin Donovan: "A (self-described) unscrupulous journalist, and a Danish-Korean comedy duo (one who is mentally disabled and wheelchair-bound
An Amazing documentary about 3 Danish comedians who pose as a theater troupe to gain entry into North Korea and document the “hermetically sealed” culture. The ruse is irresistible to watch, especially… read review