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The Red Room

Das rote Zimmer

Germany

2010

101 Min
Color
1.85:1
German
  • Currently 4.0/5 Stars.
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DIR Rudolf Thome

PROD Rudolf Thome

SCR Rudolf Thome

DP Ute Freund

CAST Katharina Lorenz, Seyneb Saleh, Peter Knaack, Max Wagner, Isabell Hindersin, Hanns Zischler, Arnd Klawitter, Karlheinz Oplustil, Annika Kuhl, Anja Karmanski

ED Beatrice Babin

MUSIC Katia Tchemberdji

Synopsis

Philematologist Fred Hintermeier’s obsession for his research leads his wife to file for divorce and to mobbing from his colleagues at the institute. A chance meeting with the young Luzie in his favorite bookshop sees him accepting her invitation to come to her “laboratory” in her house, which she shares with her friend Sibil. It is only once he has arrived there that Fred finds that he will become a subject of analysis for Luzie’s new book which is exploring men’s souls. – german films

Director

Original

Rudolf Thome

Born in Wallau/Lahn (now Biedenkopf) on 14.11.1939; took final school examinations at a Christian boarding school in Gaienhofen near Lake Constance in 1960. Took up studies in German language and literature, philosophy and history in Munich and in Bonn in 1960. Following a trip to Paris, he began writing his first film reviews for the newspaper Bonner Generalanzeiger in 1962. Moved to Munich, where he began writing articles for the periodicals Filmkritik and Film as well as for the Süddeutscher Zeitung. In 1964 he collaborated with Max Zihlmann and Klaus Lemke on his first short film and became managing director of the Munich Film Critics’ Club in 1965. Worked as a loans consultant for the building society Neue Heimstatt and broke off his dissertation on Albert Paris Gütersloh’s novel Sonne und Mond to make his first full-length feature film; moved to Berlin in 1973 where he wrote film reviews for the newspaper Der Tagesspiegel and the magazine, Hobo. Also worked for the Freunde der… read more

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W184

Iranian Cinema, "Useful Life," "Petition," Baillie, Thome, More

By David Hudson on January 13, 2011

The Boston Festival of Films from Iran opens tomorrow and runs through January 29 and, in his overview for the Phoenix, Peter Keough opens

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