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The Red Violin

Le violon rouge

United Kingdom, Italy, Canada

1998

131 Min
Color
1.85:1
English, German, Italian, Mandarin, French
  • Currently 3.5/5 Stars.
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DIR François Girard

PROD Niv Fichman

SCR Don McKellar, François Girard

DP Alain Dostie

CAST Samuel L. Jackson, Colm Feore, Sandra Oh, Carlo Cecchi, Johannes Silberschneider, Jason Flemyng, Christoph Koncz, Sylvia Chang, Irene Grazioli, Clotilde Mollet, Greta Scacchi, Liu Zifeng, Don McKellar, Wang Xiaoshuai

ED Gaëtan Huot

PROD DES François Séguin

MUSIC John Corigliano

SOUND Claude La Haye, Marcel Pothier, Hans Peter Strobl

Venice (Nights and Stars), Toronto (Opening Night), London

Synopsis

In present day Montreal, a famous Nicolo Bussotti violin, known as “the red violin,” is being auctioned off. During the auction, we flash back to the creation of the violin in 17th century Italy, and follow the violin as it makes its way through an 18th century Austrian monastery, a violinist in 19th century Oxford, China during the Cultural Revolution, and back to Montreal, where a collector tries to establish the identity and the secrets of “the red violin.” –IMDb

Director

Original

François Girard

François Girard (born January 12, 1963) is a French-Canadian director and screenwriter particularly noted for his innovative film Thirty Two Short Films About Glenn Gould. Born in Quebec, Girard’s career began on the Montreal art video circuit. In 1990, he produced his first feature film, Cargo; he attained international recognition following his 1993 Thirty Two Short Films About Glenn Gould, a series of vignettes about the life of piano prodigy Glenn Gould. In 1998, he wrote and directed The Red Violin, which follows the ownership of a red violin over several centuries. The Red Violin won an Academy Award for Best Original Soundtrack, thirteen Genie Awards and nine Jutra Awards.

He has also directed various works for the stage, including Stravinsky’s Symphony of Psalms, Oedipus Rex and Novencento at the Edinburgh International Festival; Kafka’s The Trial at the National Arts Centre, Ottawa; the oratorio Lost Objects at the Brooklyn Academy of Music; Siegfried in Toronto; and… read more

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mfg

6Dec11

The problem with having a movie in segments is that sometimes a segment can be really good, other times it can be really, really bad.

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mauriciodiniz_

16Nov11

Wonderful master-piece.

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Harry Rossi

22Aug11

It felt way too safe and Samuel L. Jackson was really miscast. Some parts were interesting and some were boring. An interesting idea that isn't executed poorly, but more executed lazily.

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Dave

25May11

An intriguing, beguiling film. Definitely need to re-watch.

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Visual and musical collage!

By Beneezy on April 2, 2010

(Thursday / April 1, 2010 / 4:10pm)

What do you do when the most perfect thing that you want just comes in to your life?, asked Charles Morritz, played by one of the most distinguished actors…  read review

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