Clara Law (羅卓瑤) (born 29 May 1957 in Macau) is a Hong Kong film director, now having relocated to Australia before the 1997 Hong Kong handover.
She has produced several films focusing on the themes of migration and the identity crisis of Hong Kong people. Her most remarkable works include Farewell China (1990) and Autumn Moon (1992).
After she moved to Australia, she continued her film career and made several films including Floating Life (1996) and The Goddess of 1967 (2000), both have won numerous awards in Australia and film festivals around the world. Her latest film is Letters to Ali (2004), which deals with Australia’s refugee situation.
She often collaborates with her husband, Eddie Fong Ling-Ching, who usually is her screenwriter. —Wikipedia
Kinky Law, nevertheless...her luminous and partly elegant anatomy of contemporary role-play between men and women is superior to anything she made in the late 90's and 2000's. Early film career, aye...she sounds fresh, she feels vibrant and she caresses her characters as if drawing sketches under the breezy sky. Overreacting situations, sure, but Golden Lotus is a marvel to behold!