Using the cut-out style of animation I tried to marry the classic engravings of Gustave Dore to the classic poem by Samuel Taylor Coleridge through a classic narrator: Orson Welles. It’s a long opium dream of the old Mariner (Welles) who wantonly killed the albatross and suffered the pains of the damned for it. —Larry Jordan, Canyon Cinema
Fantastic landscapes of the mind is what makes the unique work of San Francisco animator Larry Jordan so compelling. With a taste for nostalgic romanticism for intricate turn-of-the-century illustrations, Jordan creates a magical universe of work using old steel engravings and collectable memorabilia. His 50-year pursuit into the subconscious mind gives him a place in the annals of cinema as a prolific animator on a voyage into the surreal psychology of the inner self.
Born in Denver, Colorado, in 1934, Jordan was introduced to filmmaking by Stan Brakhage, one of the pioneers of American experimental film. As classmates, they began to investigate the possibilities of filmed “psychodrama,” a form of free-association using dream imagery. One of Jordan’s earliest films, One Romantic Adventure of Edward (1952) uses erotic visual references assembled in the style of the then in-vogue classic school of “Russian montage.” Brakhage made his acting debut in this film and both… read more