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The Road

United States

2009

111 Min
Color
2.35:1
English
  • Currently 3.4/5 Stars.
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DIR John Hillcoat

PROD Paula Mae Schwartz, Steve Schwartz, Nick Wechsler

SCR Cormac McCarthy, Joe Penhall

DP Javier Aguirresarobe

CAST Robert Duvall, Charlize Theron, Viggo Mortensen, Guy Pearce, Michael K. Williams, Molly Parker, Kodi Smit-McPhee, Garret Dillahunt, Bob Jennings

ED Jon Gregory

MUSIC Nick Cave, Warren Ellis

Venice (Venezia 66), Toronto (Special Presentation), Telluride (The 'Show'), London (Gala), AFI FEST

Synopsis

Along a dusty grey horizon, a father and son slowly plod. They push a shopping cart filled with their scant, grime-covered possessions – all that they have are a few tattered rags, a gun with two bullets and an unflagging love for one another.

Director John Hillcoat offers a corrosive adaptation of the Pulitzer Prize-winning book by American master Cormac McCarthy, and like the novel, The Road is spare on detail but epic in its implications. The Man (Viggo Mortensen) wakes up one night, and he and his wife (Charlize Theron) discover the world is on the threshold of ruin. How this came to pass is never explained – instead we witness only the aftermath of a wholesale cataclysm, relayed with chilling realism. With food supplies dwindling and communities beginning to turn on each other, the Man sets out with his son (Kodi Smit-McPhee) on a relentless journey of survival. Slumping across a barren United States, they contend daily with starvation, extreme weather and the pervasive threat of cannibalism. Through their occasional yet charged conversations and chance encounters with the odd fellow vagabond (Robert Duvall and Guy Pearce, among others), Hillcoat explores the meaning of their brutal and seemingly thankless quest.

There are no asteroids or alien invasions in this stark apocalyptic tale. Filmed mostly on location at various sites across the United States – including post-Hurricane Katrina New Orleans – the film avoids the bravado of high-impact effects, focusing instead on powerful narrative lines and performances. Mortensen throws down an utterly raw turn as a man with the weight of the world – and all his worldly belongings – on his shoulders. And in what is largely a two-hander, the young Smit-Mcphee offers solid proof of his talent, imparting the Boy’s fear and visceral courage with shattering tenderness.

Superb cinematography and art direction capture the desolation and strange beauty of the ashen landscape, as the dispossessed pair travel through gutted cities and forests of charred trees on their way to an uncertain future. But despite the wasted, empty world, a note of hope comes through the Man’s dedication to stay on the trail. Though we witness the innate frailty of human civilization, we also come to understand the implacable strength of the human spirit. —tiff.net

Director

Original

John Hillcoat

John Hillcoat (born 1961) is an Australian screenwriter and film director. Hillcoat was born in Queensland, Australia, and was raised in Hamilton, Ontario, Canada. As a child, his paintings were featured in the Art Gallery of Hamilton. He has repeatedly worked with Nick Cave and also the band Depeche Mode. His film The Road, based on the novel by Cormac McCarthy, premiered at the 2009 Toronto Film Festival, and was released in the U.S. in November 2009. —Wikipedia 

Wall

Displaying 4 of 80 wall posts.
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Justin Oakey

13Jan12

Ultra-realistic depiction of the end of humanity. A slow, harrowing journey through the final moments between a father and son during what seems to be the final moments of Earth. Technically, the film is incredibly well done. But it is emotionally that it is most triumphant. Deeply moving and tender without losing its bleak, nihilistic commentary on humanity.

Samuel Dupont-Foisy

19Nov11

Please read the book, it is truly amazing.

JHB and Alex Fisher like this

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laverite

23Sep11

I love thinking about fear because that is chillingly realistic and the soundtrack by Nick Cave & Warren Ellis is AMAZING.

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Westley

20Sep11

Good stuff. Suffocatingly bleak. 3/5

Related Films

Fans

Displaying 5 of 868 fans.

Articles

Our roundup of essays and articles on this film.
W184

Cinema Scope, Film Quarterly, Sight & Sound

By David Hudson on March 20, 2010

"I hate compiling lists, and I hate polls," announces Mark Peranson, introducing Issue 42 of Cinema Scope, the centerpiece of which is

read article
W184

"Me and Orson Welles" and "The Road"

By David Hudson on November 23, 2009

"In the traditional mythologies," begins Andrew Schenker in Slant, "two views of Orson Welles predominate, neither exactly flattering: the

read article
W184

The Auteurs Daily: Venice, Telluride and Toronto. The Road

By David Hudson on September 3, 2009

  The Road, John Hillcoat's adaptation of Cormac McCarthy's post-apocalyptic Pulitzer Prize-winning novel, has been knocked around

read article
W184

The Auteurs Daily: Anticipation

By David Hudson on August 31, 2009

  Last day of August, and not a moment too soon. While others sort out the implications of Disney's acquisition of Marvel (have at

read article

Lists

Displaying 5 of 220 lists.

Reviews

Displaying 4 of 13

McCarthyism.

By LifeofF​iction on December 9, 2011

Cormac McCarthy’s “The Road” is my favorite piece of modern literature I have ever read so I went into this movie as a skeptic because I loved the novel so much. Now, As far as set design and over…  read review

The Road

By MovieFr​eak4702 on April 18, 2011

Never before have I seen a film so bleak and unforgiving. Tragedy befalls us all, but never before has it been so deeply realized as in The Road. The world has become completely unforgiving, food…  read review

The Road

By earman on November 24, 2010

“The Road” is excellent. Viggo Mortensen is fantastic (as always) and I can’t even describe what an emotional impact it had on me as a film. I drove 100 miles to see this film and it was well worth…  read review

The Road

By asuraf on July 30, 2010

Rarely have I watched a movie based on a favorite book that gets the mental image in my mind so astonishingly close on screen, but Aussie director John Hillcoat (“The Proposition”) perfectly matches…  read review

Forum

Displaying 6 discussion topics.

THEORY ON THE ENDING OF THE ROAD

27 posts by 13 people over 1 year ago

Why has "The Road" not gotten any love?

52 posts by 20 people about 2 years ago

why limited engagements???

3 posts by 3 people about 2 years ago

THE ROAD > Faithful but lacking?

29 posts by 13 people about 2 years ago

Cormac Mccarthy (The Road, No Country for Old Men)

19 posts by 11 people about 2 years ago

The beginning bit of the trailer.

9 posts by 8 people over 2 years ago