The young shepherd, Céladon, is being rebuked by his fiancée, Astrée, who suspects that he is cheating on her. Through utter desperation he throws himself into a roaring torrent river sweeps him away… Eric Rohmer’s vision of doubt, hazard and love.
The most subtle and traditional of the many luminaries launched to prominence as a member of the French New Wave, Eric Rohmer is also among the movement’s most consistent and enduring talents. Basing his work upon antecedents in literature as much as those in the cinema, Rohmer made his name crafting talky, feather-light romantic comedies and chamber dramas distinguished by economical camerawork, a warmly ironic tone, an affection for youth, and a fascination with place and time. His intensely personal private life — according to legend, not even his own mother knew he was an internationally acclaimed, albeit pseudonymously named, filmmaker — has stood in direct contrast to the emotional openness of his movies, which, in intimate and illuminating detail, explore the limitless entanglements, disappointments, and possibilities facing contemporary relationships.
Born Jean-Marie Maurice Scherer on December 1, 1920, in Nancy, France, Rohmer later relocated to Paris, where he worked variously… read more
A previously unpublished article by French New Wave critic and filmmaker Luc Moullet on the cinema of Eric Rohmer.
The Film Society of Lincoln Center is touting The Sign of Rohmer, opening this afternoon with a screening of Eric Rohmer's debut feature
"Eric Rohmer, a pioneer of the French New Wave which transformed cinema in the 1960s," reports Reuters. "He was 89." As in the barrage of
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films
About fifty years ago Eric Rohmer, then a film critic, took the defense of Alfred Hitchcock, in the famous book co-written with Claude Chabrol. At that time the so-called master of suspense was gradually… read review