Brantley Foster, a well-educated kid from Kansas, has always dreamed of making it big in New York, but once in New York, he learns that jobs – and girls – are hard to get. When Brantley visits his uncle, Howard Prescott, who runs a multi-million-dollar company, he is given a job in the company’s mail room. Then Brantley meets Christy Wills, who happens to be one of the top executives. Believing that the best way to win her over is by posing as an executive, Brantley decides to take a position under the name Carlton Whitfield, and soon things get unexpectedly out of hand. -IMdb
American director/choreographer Herbert Ross divided his time between Broadway and the American Ballet Theatre in the 1950s and 1960s. Ross also choreographed numerous live television programs, and handled the dance sequences of such films as Carmen Jones (1954), Inside Daisy Clover (1963) and Dr. Doollittle (1967). His first screen directorial job was Goodbye Mr. Chips, an overblown 1969 remake of a well-regarded 1939 MGM feature. Ross’ subsequent cinema reputation rested on his ability to transfer popular stage plays to the screen, as witness The Owl and The Pussycat (1970), The Sunshine Boys (1975) and California Suite (1978). While he was expert in cinematizing the plays of Neil Simon, Ross was critcally lambasted for his conformist approach to Woody Allen’s Play it Again Sam (1972), though this film was one of Allen’s biggest moneymakers. Ross also directed a brace of Neil Simon screenplays, The Goodbye Girl (1977) (which won an Oscar for star Richard Dreyfuss) and Max Dugan Returns… read more