The Sentimental Engine Slayer tells the compelling, confounding tale of the overdue coming of age of a twenty-something misfit named Barlam. Barlam’s awkward transition from boy to man is as much the story of struggling to find one’s essence in a world of stereotypes as it is an indictment of the distorted reality of family life in the disengaged 21st century. A bottom-rung grocery bagger whose neo-incestuous relationship with his addict sister, Natalia, causes him no small amount of grief and disillusionment, Barlam seeks solace in the convoluted wisdom of what few male peers are available, namely his androgynous, alcoholic boss, Oscar, and the sister’s simple-minded boyfriend, Zack. Seeking an explanation as to the strange circumstances of his apparent lack of family structure, as well as the respect from others fundamentally absent in his mundane model-building existence, Barlam is soon led astray amid a seedy underworld of prostitutes, hustlers and addicts. The labyrinthine plot soon begs questioning as to where reality ends and fantasy begins, Barlam shifting effortlessly between hapless punching bag, assertive surrogate father figure, and rage-prone psychopath. —Sonny Kay
Omar Alfredo Rodríguez-López (born September 1, 1975) is a multi-instrumentalist, songwriter, producer, writer, actor and film director who was born in Bayamón, Puerto Rico. He is the composer, guitarist and producer for the progressive rock group The Mars Volta, and the former bassist and guitarist for the dub reggae band De Facto and the post-hardcore outfit At The Drive-In respectively. He has also embarked upon a prolific and genre-defying solo career, both in studio and in concert, frequently described as experimental, avant-garde and/or progressive and has collaborated with numerous artists spanning from John Frusciante to El-P. —Wikipedia
TODO LO QUE PUEDO DECIR DE ESTA PELICULA ES BORGES, SI NO HAN LEIDO UN CUENTO DE BORGES NUNCA LE ENTENDERAN A ESTA PELICULA, ASI DE FASIL SE LOS DEJO,,,,,, PELI UNICA QUE TE DEJA CON UN SENTIMIENTO DE DESILUSION MIENTRAS LA VEZ,
Anyone caught this in Rotterdam? New territory for Omar. Lets hope he knows what he is doing. Seems a bit too much for a debut (directing,acting,screenplay,music...). Anyway, this could be the surprise of the year.
Few events raise questions as to what films festivals are, really, what they're for, who they're for and what they could and should be