Run down by his cocaine addiction, super sleuth Sherlock Holmes enters a treatment program under the care of renowned psychoanalyst Sigmund Freud in this delightful mystery-adventure based on the best-selling novel by Nicholas Meyer. An astonishing cast — including Laurence Olivier as Prof. Moriarty, Robert Duvall as Dr. Watson and Alan Arkin as Freud — illuminate this crackling good story that focuses on the synthesis of madness and genius.
American director/choreographer Herbert Ross divided his time between Broadway and the American Ballet Theatre in the 1950s and 1960s. Ross also choreographed numerous live television programs, and handled the dance sequences of such films as Carmen Jones (1954), Inside Daisy Clover (1963) and Dr. Doollittle (1967). His first screen directorial job was Goodbye Mr. Chips, an overblown 1969 remake of a well-regarded 1939 MGM feature. Ross’ subsequent cinema reputation rested on his ability to transfer popular stage plays to the screen, as witness The Owl and The Pussycat (1970), The Sunshine Boys (1975) and California Suite (1978). While he was expert in cinematizing the plays of Neil Simon, Ross was critcally lambasted for his conformist approach to Woody Allen’s Play it Again Sam (1972), though this film was one of Allen’s biggest moneymakers. Ross also directed a brace of Neil Simon screenplays, The Goodbye Girl (1977) (which won an Oscar for star Richard Dreyfuss) and Max Dugan Returns… read more
Holmes meets Freud in this sympathic but flawed Victorian adventure. The scenes with Freud are amusing, while the mystery elements of the story are rather unimaginative. Fine perfomances by Duvall, Williamson and Arkin, the talents of Redgrave, Grey, Eggar and Olivier are mostly wasted. It's still an interesting addition to the Holmes filmography.
Best known for his Merlin in Excalibur, Williamson had recently been concentrating on music.