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The Silence of the Lambs

United States

1991

118 Min
Color
1.85:1
English
  • Currently 4.0/5 Stars.
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DIR Jonathan Demme

PROD Kenneth Utt, Edward Saxon, Ron Bozman

SCR Ted Tally, Thomas Harris

DP Tak Fujimoto

CAST Jodie Foster, Anthony Hopkins, Scott Glenn, Ted Levine, Anthony Heald, Brooke Smith, Diane Baker, Kasi Lemmons, Charles Napier, Tracey Walter, Roger Corman, Chris Isaak

ED Craig McKay

PROD DES Kristi Zea

MUSIC Howard Shore, Q Lazzarus

Berlinale (Competition): Best Director, San Sebastián (American Way of Death)

Synopsis

From Thomas Harris’s novel, director Jonathan Demme explodes and reconstructs a classic genre, laying a foundation of emotional and political commitment beneath a perfectly constructed psychological thriller. Fourteen years after her controversial role in Taxi Driver, Jodie Foster finally makes the transformation from helpless victim to rescuing hero in this dark, gender-bending fairy tale of an American obsession: serial murder. As Hannibal “the Cannibal” Lecter, Anthony Hopkins is the archetypal antihero—cultured, quick-witted, uncontainable—a portrait of all the sharpest human faculties gone diabolically wrong. Winner of five Academy Awards, including Best Picture and Best Screenplay Adaptation for Ted Tally. —The Criterion Collection

Director

Original

Jonathan Demme

Robert Jonathan Demme (born February 22, 1944) is an American filmmaker, producer and screenwriter.

Demme was born in Baldwin, New York, the son of Dorothy Demme and a public relations executive father. Demme has three children: Ramona, Brooklyn, Josephine. He is a graduate of the University of Florida. He also was the uncle of director Ted Demme, who died in 2002.

Demme broke into feature film working for exploitation film producer Roger Corman from 1971 to 1976, co-writing and producing Angels Hard as They Come and The Hot Box, then directing three films (Caged Heat, Crazy Mama, Fighting Mad) for Corman’s studio New World Pictures. After Fighting Mad, Demme moved on to direct the comedy film Handle with Care for Paramount Pictures in 1977. The film was well-received by critics, but received little promotion, and performed poorly at the box office.

Demme’s 1980 film Melvin and Howard did not have a wide release, but received widespread critical acclaim, and led… read more

Wall

Displaying 4 of 44 wall posts.
Picture of Valerie Chiang

Valerie Chiang

3Apr12

finally watched this movie after about 10 years of walking past the DVD in grocery stores, and it's every bit as fantastic as i hoped it would be.

Lights in the Dusk likes this

Picture of Caitlin

Caitlin

11Mar12

This is one of the best movies i have ever seen!! Anthony Hopkins played Hannibal Lecter in the most interesting way! Jodie Foster was brilliant in the film as Clarice Starling she was really phenomenal in the movie loved the movie!!!! 10/10 stars!!! :)

Picture of Maximilian Bercovicz

Maximilian Bercovicz

1Feb12

I do like this, but there's just something about it that prevents it from being great.

Seth Farmer

27Dec11

The ending of this film is brilliant. At least, from a male's perspective. The night vision tinted first-person sequence is surely one of the great statements on voyeurism. Jodie Foster is beautiful, sexy, and vulnerable as she swipes and stumbles through the dark. We have been ogling her the entire film and we ogle her now, except for one major difference: we now share our view with that of Buffalo Bill.

HKFanatic likes this

  • Seth Farmer

    27Dec11

    The film's central theme of transformation is here writ ultimate: despite whatever desires we have to advance ourselves we are all still subject to animalistic urges. At that moment we may as well all be serial killers.

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Articles

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W184

Daily Briefing. 25 titles added to the National Film Registry

By David Hudson on December 28, 2011

Also: Best of 2011 from the San Francisco Bay Guardian, In Review Online and more. And 11-year-old Scorsese’s storyboards.

read article

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Reviews

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Like a trauma...

By Alonso Díaz de la Vega on January 21, 2010

Whenever a character breaks the so called fourth wall by looking into the camera and thus, into the audience of a film, its purpose varies from either being a direct confrontation or a kind of siding…  read review

Untitled

By Byron Brubake​r on June 6, 2009

Foster and Hopkins give star performances. Levine is creepy as Buffalo Bill. But, this movie simply did not impress me as much as the other two movies to hold the honor of winning the Oscar big five…  read review

Untitled

By baddabo​om on May 26, 2009

“Memory, Agent Starling,is what I have instead of a view.”

The way the whole movie is shot essentially from Clarice’s POV, from the moment she enters Serial Killer Central and looks at the wall…  read review

Forum

Displaying 1 discussion topic.

Charles Napier RIP

9 posts by 8 people 3 months ago