The world ends not with a bang, but a whisper in a language you cannot understand.
ENFANT TERRIBLE, Terrence Ingmar Kubrovsky, Matthew Landry, ramosbarajas
The Silence is eerie and ordinary. It feels dream-like and solid at the same time. It lingers between contrasting moods, and it does so perfectly. Even the two characters are complete opposites, making their lives miserable. There is no hesitation between the two contrasts, merely a masterful mixture that makes the final product very suffocating but at the same time hopeful.
Such a suffocating film, it is almost boring at points with it's utter emptiness. Some profound moments but definitely my least favorite of the trilogy. Much to mull through.
Up there with Petra in "Smiles of a Summer Night", Anna in "The Silence" is one of most sexual characters ever created by Bergman. It defies the perception that he can only write cold, austere, cerebral characters like Ester, the invalid sister. Most of the film is seen through the eyes of ten-year-old Johan, rare for Bergman, but it foreshadows the viewpoint he would later use in "Fanny and Alexander."
An excellent end to Bergman's "silence of god" trilogy, also the least explicitly religious and most ambiguous; with a playfulness and eroticism rarely equaled in other Bergman films.
The title is apt. This is almost a silent film and a wondrous one at that. My sixth Bergman and not a bad one yet!
The best part of the faith trilogy. It cuts down on a lot of the fluff that I thought brought down the previous two films and is instead a beautiful, unpretentious, almost fully realized work. The images and use of space are stunning, as well as the way Bergman uses his actresses faces. It isn't perfect, but it's something of a practice run for what would be Persona.