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Synopsis

The dedicated Irish Roman Catholic priest Father Keogh arrives in rural Quantano, Mexico, to replace a dispirited aging Father Gomez, who has been humiliated and the church under his reign is rendered useless by the village’s tyrannical rule of the bandit Anacleto. Despite physical threats to him, the gutsy Father Keogh openly goes against the bandit and acts to rally the locals around him. One of his best converts is Locha, the sultry daughter of the leading rancher. Anacleto retaliates by killing the villagers in alphabetical order, but Keogh refuses to be intimidated and continues his verbal assault on the bandit.

Eventually Anacleto, who has a begrudging respect for the courageous priest, moves in with Father Keogh as he wishes to determine whether it is the “song” (the religion) or the “singer” (the priest) that inspires good. That’s where this film fell apart for me (How hokey can you get?). During his stay Anacleto learns that Locha has fallen in love with Father Keogh, and he hides her in his mountain retreat when her family tries to force her into a loveless marriage. The conniving bandit then tells Father Keogh to tell his congregation from the pulpit that he is a failure as a priest, or else he will kill Locha. Father Keogh agrees, but during his sermon he spies Locha safely seated in the congregation. Father Keogh is not amused about being tricked and launches into a violent denunciation of the bandit. The law arrests Anacleto, and his gang attempts to rescue him on the way to prison. —Ozu’s World of Movie Reviews

Director

Original

Roy Ward Baker

Roy Ward Baker (born 19 December, 1916) is an English film director born in London. His best known film is A Night to Remember (1958) which won a Golden Globe for best foreign English language film in 1959. His later career included many horror films and television shows.

From 1934 to 1939, Baker was with Gainsborough Pictures, a British film production company based in Islington, North London. His first jobs were menial, making tea for crew members, for example, but by 1938 he had risen to the level of as assistant director on Alfred Hitchcock’s The Lady Vanishes (1938).

He served in the Army during World War II, until transferring to the Army Kinematograph Unit in 1943 in order to make better use of skills developed in his pre-war career producing documentaries and teaching materials for troops. One of his superiors at the time was novelist Eric Ambler, who gave Baker his first big break directing The October Man, from an Ambler screenplay, in 1947. Ambler also adapted… read more

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richmondhill

24Nov11

Another coded yelp from Bogarde’s closet; although with a revisionist’s eye it acquires an oddly bold and undeniably camp expression of buttoned-down sexuality. It would be great fun where it not so bloody stodgy.

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