The film opens with Eddie calling the shrink he had while serving 18 months in a prison psycho ward for bashing a woman over the head. He feels that uncontrollable inner rage coming over him again. But the vacationing shrink can’t be reached until he returns in two weeks.
Out of despair, Eddie self-inflicts second degree burns on his right hand holding it over a stove. The doctor treating the wound in the emergency room of the hospital suspects he might need psychological help, but then gets too busy with an emergency situation to follow through.
Delivering a dress to Jean Darr, an attractive brunette piano performer in a bar, Eddie becomes upset with her when she turns her attention away from him and to her boyfriend who appears. She hustles Eddie out the back entrance, which seems to upset him so much that he waits for her to leave work at night and makes her his first victim. This brings a hardened police Lieutenant Kafka to investigate the murder. Soon another victim pops up, May Nelson. She’s a barfly who rejected him at a bar when she caught him in a lie about the kind of work he does.
The newspapers headlines play up the serial killer angle, challenging the police to catch the killer. The manhunt becomes a political football, as the present administration is blamed for their ineptness. Under public pressure Lt. Kafka rounds up all known sex offenders for questioning but is told by the police psychiatrist, Dr. Kent, that he is wasting his time. Kent then lectures the newspaper men and the police about the killer, stating he is killing his mother each time. The shrink says they should be looking for someone who got into trouble before for attacking a woman and possibly received psychological treatment. —Ozu’s World Movie Reviews
A messenger boy at Paramount in the mid 1920s, Edward Dmytryk became an editor in the 1930s and began directing in 1935. By the mid ‘40s he had such impressive credits as The Devil Commands (1941) with Boris Karloff; the anti-fascist Hitler’s Children (1943); the noirs Murder, My Sweet (1944) and Cornered (1945), starring Dick Powell; and Crossfire (1947), one of the first Hollywood films to confront anti-Semitism. In 1948 Dmytryk became one of the “Hollywood Ten” when he was accused of having ties to the communist party and was sentenced to a year in prison for contempt of Congress. Following his imprisonment, Dmytryk was blacklisted in the U.S., so he directed three films in England, but returned to the States in 1951. Upon his return he went before the House Un-American Activities Committee again, this time as a “friendly” witness, and his name was dropped from the blacklist. He then resumed his American career and directed four films for producer Stanley Kramer, most notably The… read more