Brilliantly directed by David Fincher from a razor-sharp script by Aaron Sorkin, The Social Network is a scintillating play-by-play of the meteoric rise and acrimonious fall of the founders of Facebook—Harvard undergrads who developed their zeitgeist-altering phenomenon out of their dorm rooms…and ended up suing each other for millions.
Jesse Eisenberg turns in a mesmerizing performance as the genius but socially maladroit CEO Mark Zuckerberg, whose flash of social-networking inspiration occurs during a drunken act of internet revenge on an ex-girlfriend, with Spider-Man-to-be Andrew Garfield as nice-guy CFO Eduardo Saverin and scene-stealing Justin Timberlake as Napster co-founder Sean Parker. Much more than a ripped-from-the-headlines docudrama, The Social Network is a timeless study of unchecked ambition, status and privilege in America, and those other, more precious things money can’t buy. –NYFF
David Leo Fincher (born August 28, 1962) is an American music video and film director known for his dark and stylish portraits of the human experience, particularly Fight Club (film) and Se7en.
Born in Denver, Colorado, Fincher was raised in Marin County, California. He moved to Ashland, Oregon in his teens where he graduated from Ashland High School.
Inspired by Butch Cassidy and the Sundance Kid, Fincher began making movies at age eight with an 8 mm camera. Filmmaking seemed the perfect outlet for a kid who could spend all day drawing and loved to make sculptures, take pictures and tape-record. Fincher eschewed the film school route, getting a job loading cameras and doing other hands-on work for John Korty’s Korty Films. He next got a job at Industrial Light and Magic in 1980 with his first screen credit being for Return of the Jedi, and stayed until 1984. He left ILM to direct a dark commercial for the American Cancer Society, a grim hint of things to come, showing… read more
Its drama is appealing in much the same way The Revenge of the Nerds' was appealing, but this one's much better filmed, scripted, and edited. A compelling dramatization of the entrepreneurial adventure in the 21st century. Maybe it just should have allowed its dramatic punches to hit harder. Or, at least, to not be as glossed over.
Deux points pour la très bonne BO. Deux points pour la technique de Fincher. Un point pour le scénario. Moins deux points pour le manque de cohérence/réalisme flagrant dans ce film (en 2003, les blackberrys n'existaient pas etc etc), qui m'a fait chier, comme le bon gros con que je suis. Sinon, en Bosnie, il y a des routes, 'faut arrêter de croire que l'Europe de l'est c'est des ploucs.
Jesse Eisenberg plays one of THE most irritating characters in cinema history. Why he was nominated for an Oscar for this vastly overrated film is a mystery to me. If the real Zuckerberg is even half as annoying as portrayed in this film, we should all get rid of Facebook to spite him. Even Jake Lamotta had a few redeeming qualities to make him watchable, this is just an obnoxious arrogant geek with a big mouth. ** 2
Never mind Brad Pitt and Jonah Hill, and for that matter, Bennett Miller. For the critics, Moneyball is an Aaron Sorkin movie.
Cross-posted at RogerEbert.com... On the day the Oscar nominations were announced, I made some quick guesses and toyed with the possibility
A two-week-long Howard Hawks season launched this weekend at BFI Southbank in London and, in the Guardian, David Bromwich writes: "The best
"Was it a good year for movies?" asks AO Scott in the New York Times. "A great year? Hard to say, and finally, who cares?... An attempt
Another good day for The Social Network. David Fincher may be sharing the Los Angeles Film Critics Association's Best Director award with
The National Board of Review, which, Wikipedia tells us, "was the first group to choose the ten best English-language movies of the year
The season for listing and awarding begins this week and will dribble on through at least the end of February, that is, until every last
• I picked up on something of David Fincher in The Social Network I hadn't noticed before—his appreciation for script's which split his protagonists
The scripts that seem to attract David Fincher's recent attention, keeping Panic Room outside for now, are stories that tell facts. I don
"Zodiac was the story of one obsession, and The Social Network is the story of several," Ignatiy Vishnevetsky wrote here in The Daily Notebook
An immaculate realization of clichés, a multi-billion-dollar lawsuit transmuted into a low-stakes male weepie, a bunch of college-movie
An immaculate realization of clichés, a multi-billion-dollar lawsuit transmuted into a low-stakes male weepie, a bunch of college-movie
No film review will be read more eagerly this week than Scott Foundas's piece for the cover of the September/October issue of Film Comment
Facebook has been such a huge social phenomenon that I hardly ever bothered to learn about the brain who was behind it. However, that doesn’t mean I expected The Social Network to provide me with a… read review
I admit that the story of Zuckerberg and how the nerd became the world’s youngest millionaire by starting out drunken in his room on campus is intriguing, the more so because it is actually a true… read review
After a second viewing i felt that i had to up the rating a half star because of the amazing atmosphere that every aspect of this film creates from start to finish I thoroughly enjoyed this movie… read review
There was a time when the response to the word Facebook was only, “huh?” Now we live in an age where many cannot go without it. Social networking has been primed for a lampooning for a considerable… read review