William Denton is one of the early pioneers exploring the art and science of psychometry. Psychometrics believes that every object emits a field of energy. That energy can transit its entire history through touch. That is every brick contains the history of what happened inside its walls and outside its walls and at the same time its own history of creation. If one is sensitive enough this energy field of historical information can be transferred and one can obtain a complete knowledge of its history. In my case the touching is filming. In our urban landscape we are continually destroying our past through destruction of buildings and replacing them with artificial man made materials. Hence removing us from our very history. William Denton performed many successful experiments in the field of psychometry documented in one of his books called The Soul of Things.
The Soul of Things (USA), which starts amongst construction detritus that seems the spatial equivalent of the temporal pileup from Nishikawa’s film, as if you rotated the camera of Tokyo – Ebisu around so that all time dimensions (and trains) collapsed and this was the resulting wreckage, shown in blown out black and white. But Angerame’s narrative gradually effaces this sense, moving from ruins to demolition to construction to the bayside stasis of resting, inactive docks, stepping away from the chaos that opens the film and finding a calm clarity. –tiffreviews
“To see the city through the eyes of Dominic Angerame is to see an organic beast of concrete that sifts and breathes in rich shades of black and white.” —SF Weekly
Dominic Angerame has made more than 36 films that have been shown and won awards in film festivals around the world. He has also been honored by two Cine Probe Series at the Museum of Modern Art in New York City — in 1993 and in June 1998 and has had numerous one person screenings around the globe.
Angerame teaches filmmaking/cinema studies/criticism, film production, film history.
Among the schools he has taught include the San Francisco Art Institute as a visiting artist. He has also taught film production and cinema studies at the University of California Berkeley, Extension, New College of California; and has been a guest lecturer and visiting artist for Stanford University, the School of the Art Institute of Chicago, the Graduate School of Theology in Berkeley, and others.
–Canyon Cinema read more
While documenting the fluctuations of globalism in contemporary cityscape, this is a really thoughtful and modernist essay about modernism itself. The dynamic formalism behind multiple exposures and fades oscillates concepts of beauty and ugliness as Angerame's camera explores the viability of capitalist ruins of the world-marketplace. Does the man-made destroy nature's beauty or does nature deny constructed beauty?