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The Statement

Canada, France, United Kingdom

2003

120 Min
Color, Black and White
1.85:1
English, German, Italian, Latin, French
  • Currently 2.5/5 Stars.
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DIR Norman Jewison

EXEC Michael Cowan, Mark Musselman, Jason Piette, David M. Thompson

PROD Norman Jewison, Robert Lantos

SCR Ronald Harwood, Brian Moore

DP Kevin Jewison

CAST Michael Caine, Tilda Swinton, Charlotte Rampling, Alan Bates, Jeremy Northam, Ciarán Hinds, John Neville, Matt Craven, Edward Petherbridge, Frank Finlay, Noam Jenkins, Dominic Gould

ED Andrew S. Eisen, Stephen E. Rivkin

PROD DES Jean Rabasse

MUSIC Normand Corbeil

AFI FEST (Gala)

Synopsis

The buried sins of the past almost always find a way to surface in the present, as Frenchman Pierre Brossard (Michael Caine) discovers in this drama directed by Norman Jewison. Pierre’s quiet life in southern France is disrupted as he’s haunted by his betrayals. During World War II, his Nazi sympathizing led to the deaths of 14 Jews. With a Nazi hunter (Tilda Swinton), the police and hired killers on his trail, it’s his turn to be the hunted.

Director

Original

Norman Jewison

Receiving his undergraduate education at Malvern Collegiate Institute, Victoria College and University of Toronto, Ontario-born director and producer Norman Jewison also studied piano and music theory at the Royal Conservatory. Following service in the navy and a brief sojourn as a cab driver, Jewison worked as an actor and scenarist in London. From 1953 through 1958, he was one of the top directors with the Canadian Broadcasting Corporation television service; he continued to turn out top-ranked TV work when he was signed by CBS in New York, winning three Emmys between 1958 and 1961. His first feature film was 40 Pounds of Trouble (1962), which led to a long-term contract with Universal. In 1963, Jewison took on the daunting task of executive producing the much-troubled Judy Garland Show, emerging from this failed 26-week project with little if any egg on his face. The first of Jewison’s films to be greeted with the same critical effusion as his TV work was The Cincinnati Kid (1965… read more

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