When a group of hijackers led by criminal mastermind Ryder (John Travolta) take the passengers aboard a New York subway train hostage and demand a king’s ransom, it’s up to subway dispatcher Walter Garber (Denzel Washington) to bring them down. Directed by Tony Scott (Man on Fire), this action thriller — an update of the 1974 film from Joseph Sargent — also stars James Gandolfini, John Turturro, Luis Guzmán and Michael Rispoli.
Tony Scott was a British-born film director and producer. He was the youngest of three brothers, one of whom is fellow film director Ridley Scott. He was born in North Shields, Northumberland, England to parents Jean and Colonel Francis Percy Scott. As a result of his father’s career in the British military, his family moved around a lot. Their mother loved the going to the movies and instilled a love of cinema in her children.
While still a teenager, producer and director Tony Scott made his first foray into film with an appearance in his big brother Ridley Scott’s first short film, Boy and Bicycle. He later attended London’s Royal College of Art, as did his brother, and proceeded to get his feet wet behind the camera, at first by directing TV commercials for his brother’s production company Ridley Scott Associates. He became a leader in the British commercial industry, directing countless ads and building up an impressive resumé over the years. By the early ‘80s, Tony Scott… read more
Comes at a moment in cinema history, a moment in American history, a moment that could only be the 21st century, that is the 21st century. The romantic metaphysical romance of Deja Vu makes it the perfect catnip for the vulgar auteurism-inclined cinephile, but this is the dark horse for title of Tony Scott's masterpiece. A post-9/11 romance, a song of a city, but also a great source of pain, whether it be the pain of the American people, the 21st century, or of individual tragedy. Travolta's only nominally the villain, Washington only nominally the hero. At this point, Scott was only making films of people. "Your my goddamn hero."
Neil Bahadur, Sunrise, Matt Turner, H. K. ‡, Eleni Ashton, HKFanatic, Johnde
The great Nagisa Oshima has passed away, Senses of CInema has a new World Poll, David Bordwell on the evolving cinema of 1908-1920, & more.
An exquisite corpse-style critical project on the films of Tony Scott featuring twenty critics and twenty scene analyses.
One “movement” in our exquisite corpse-style critical project on Tony Scott. Each movement features ten critics and ten scene analyses.
Movement 2A in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on The Taking of Pelham 1 2 3 (2009).
On the late great.
What do we do with Tony Scott’s The Taking of Pelham 1 2 3, another version of John Godey’s book (also adapted in 1974 by Joseph Sargent
What do we do with Tony Scott’s The Taking of Pelham 1 2 3, another version of John Godey’s book (also adapted in 1974 by Joseph Sargent
Très honnêtement, c’est en lisant les différents avis que j’ai appris que ce film était en réalité un remake. Pas eu vent de l’existence de l’original et donc ne l’ayant pas vu, c’est avec aucune appréhension… read review
While Vishnevetsky should be commended for breaking down the focal elements and their affect on the saliency of Scott’s… read review
It’s ok as a remake but they replace the more charismatic and darkly humorous original that had so much character and represented the new york of it’s time. That was a clear product of the city at… read review
Pretty entertaining in that shallow, Tony Scott way. The director knows how to stimulate suspense: keep the camera constantly moving. A cheap tactic, but with heavy editing and a violent soundtrack… read review