As the result of a head injury, brilliant computer scientist Harry Benson begins to experience violent seizures. In an attempt to control the seizures, Benson undergoes a new surgical procedure in which a microcomputer is inserted into his brain. The procedure is not entirely successful. —IMDb
British writer-director Mike Hodges honed his craft in television before segueing to the big screen with the gangster melodrama Get Carter (1971), starring Michael Caine as a cold-blooded hit man. Dismissed by critics as overly violent at its initial release, the film has come to be regarded as a minor masterpiece and an influence on such disparate movie directors as John Woo, Quentin Tarantino and Guy Ritchie.
Born in Bristol, Hodges originally trained as an accountant but after a requisite stint in the Royal Navy found employment as a teleprompter writer. Exposed to the workings of television, Hodges tried his hand and crafting scripts and sold one. He made the transition to director and producer overseeing segments of the English newsmagazine World of Action in the early 1960s. A stint on the arts-themed Tempo followed, where he prepared profiles of such notable film personalities as Jean-Luc Godard and Orson Welles. Further honing his craft, Hodges… read more
Gorgeous to look at; I love a film with a severely limited color palate. Must've influenced what Matty Libatique did with THE FOUNTAIN. But I wished to be taken into the subjectivity of the main character's uncontrollable rage, or really anything visceral to play off the immaculate surface of the picture.