The Three Caballeros

United States

1944

71 Min

Color

1.37:1

Portuguese, Spanish, English

Currently 3.5/5 Stars.
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CAST Aurora Miranda, Carmen Molina, Dora Luz, Sterling Holloway, Clarence Nash

A large box arrives for Donald on his birthday, three gifts inside. He unwraps one at a time, and each takes him on an adventure. The first is a movie projector with a film about the birds of South American: Donald watches two cartoons, one tells of a penguin who longs to live on a tropical isle and the other about a gaucho boy who hunts the wild ostrich. The second gift is a pop-up book about Brazil. Inside is Zé Carioca, who takes Donald to Brazil’s Bahia for a mix of animation and live action: the two cartoon birds sing and dance with natives. The third gift is a piñata, accompanied by Panchito. A ride on a magic serape takes the three amigos singing and dancing across Mexico. –IMDb

Director

Norman Ferguson

Animator Norm Ferguson, affectionately called “Fergy” by his friends at The Walt Disney Studios, was never inhibited by anatomy and drawing rules. An instinctive artist, he drew what felt right, often surprising his peers with the unlikely results.

As animator Fred Moore once said, “Fergy doesn’t know that you can’t raise the eyebrows above the head circle, so he goes ahead and does it and it gives a great effect.”

Fellow Disney Legend Marc Davis summed up Fergy’s contributions when he said, “Norm Ferguson was a sharp performer and a showman.”

Fergy’s sense of showmanship stemmed from the old vaudeville comedians, who he loved to watch perform during his formative years in New York City. Their influence on him surfaced in the famous flypaper sequence, which Fergy animated in the 1934 Disney short “Playful Pluto.” The memorable 65-second sequence, which begins with Pluto sitting on a sheet of flypaper and leads to a string of hilarious gags as he attempts to free… read more

Animator Norm Ferguson, affectionately called “Fergy” by his friends at The Walt Disney Studios, was never inhibited by anatomy and drawing rules. An instinctive artist, he drew what felt right, often surprising his peers with the unlikely results.

As animator Fred Moore once said, “Fergy doesn’t know that you can’t raise the eyebrows above the head circle, so he goes ahead and does it and it gives a great effect.”

Fellow Disney Legend Marc Davis summed up Fergy’s contributions when he said, “Norm Ferguson was a sharp performer and a showman.”

Fergy’s sense of showmanship stemmed from the old vaudeville comedians, who he loved to watch perform during his formative years in New York City. Their influence on him surfaced in the famous flypaper sequence, which Fergy animated in the 1934 Disney short “Playful Pluto.” The memorable 65-second sequence, which begins with Pluto sitting on a sheet of flypaper and leads to a string of hilarious gags as he attempts to free himself from the sticky predicament, marked the first time an animated character appeared to be thinking onscreen.

Born September 2, 1902, to a Scottish father and Irish mother, Fergy attended Brooklyn’s Heffley Institute, a stenography and typing school, followed by the Pratt Institute, where he studied commercial art. In 1920, after working various stenographic jobs, he decided to pursue a career in the up-and-coming animation medium and quickly won a job at Paul Terry’s Fables Pictures Inc.

Nine years later, he left Fables to join The Walt Disney Studios, where he served as animator on more than 75 shorts, including “The Chain Gang,” “Mickey’s Orphans,” and the Academy Award®-winning “Three Little Pigs.” Fergy was fast with his pencil, cranking out up to 40 feet worth of animation a day, when the average was 10 to 15 feet, according to Disney historian Bob Thomas.

In 1935, he was tapped by Walt Disney to serve as supervising animator on the Studio’s most prestigious film, notably his first full-length animated feature “Snow White and the Seven Dwarfs.” In that film, Fergy supervised animation of the first of the great Disney villains – the evil witch in “Snow White and the Seven Dwarfs” followed by the unsavory J. Worthington Foulfellow in “Pinocchio.”

Fergy then went on to serve as sequence director on such classics as “Fantasia” and “Dumbo;” production supervisor on “Saludos Amigos;” production supervisor and director on “The Three Caballeros;” and directing animator on “Cinderella,” “Alice in Wonderland,” and “Peter Pan.” In 1941, Fergy made a cameo appearance in Disney’s “The Reluctant Dragon,” starring Robert Benchley.

On November 2, 1957, Norm Ferguson died in Los Angeles. —Disney Legends

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