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The Tiniest Place

El lugar mas pequeño

Mexico

2011

100 Min
Color
Spanish
  • Currently 4.4/5 Stars.
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DIR Tatiana Huezo

EXEC Henner Hoffman, Liliana Pardo

PROD Nicolás Celis

SCR Tatiana Huezo

DP Ernesto Pardo

ED Paulina del Paso, Tatiana Huezo

MUSIC Leonardo Heiblum, Jacobo Lieberman

San Francisco (Documentaries), San Sebastián (Contemporary Mexican Cinema), Abu Dhabi (Documentary Competition): Special Jury Award, Mar del Plata (Latin American Competition), Cine//B (Memoria)

Synopsis

To walk into the jungle-shrouded village of Cinquera, El Salvador, is to enter a world where ghosts walk, passing back and forth between the past and present. Here, decades after a brutal civil war annihilated the village, survivors return to bury their dead and rebuild the community from the ashes. During the 1980–92 civil war, Cinquera was invaded by the National Guard, which targeted it as a potential haven for guerrillas of the FMLN opposition. Cinquera was literally wiped off the map, disappearing temporarily from official charts in a conflict that resulted in 80,000 deaths with tens of thousands more disappeared. We see the result of that devastation on the resolute and composed survivors now sowing new seeds in Salvadoran-born Mexican filmmaker Tatiana Huezo’s stunning debut feature. In an unobtrusive portrait of collective memory, we mingle with villagers as they recall horrifying ordeals of rape, mutilation and torture; a man talks about the madness that consumed him; an old lady habitually talks to her dead daughter. Of those who managed to escape into the woods, many joined the FMLN (whose rebel flag still appears painted on the sides of houses). A remarkable example of Mexico’s bourgeoning documentary scene, The Tiniest Place guides us through this landscape with a contemplative, poetical eye, as the deep forest looms in mute witness to the testimonies we overhear. Battle scars and wounds may run deep but they prove unable to destroy the soul of Cinquera. —San Francisco IFF

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Picture of Mario Raygoza

Mario Raygoza

7Oct11

Una verdadera sorpresa para mí. Los testimonios son de una fuerza extraordinaria pero lo que atrapa es la puesta en imágenes. Leí a un crítico que decía que no había visto una mejor ópera prima desde Japón (Reygadas, 2002). No estoy seguro de esto último, pero cerca sí está.

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