The life inside a farm in Italy at the beginning of the century. Many poor country families live there, and the owner pays them by their productivity. One of the families has a very clever child. They decide to send him to school instead of make him help them, although this represents a great sacrifice. The boy has to wake up very early and walk several miles to get to the school. One day the boy’s shoes break when returning home, but they do not have money to buy another pair. What can they do? —IMDb
Though not among Italy’s most internationally renowned filmmakers, Ermanno Olmi ranks as one of his country’s finest. He is known for making realistic films about the lives of average people that are infused with an almost austere subtlety and rare ambiguity that is sympathetic yet not overly sentimental. A native of Bergamo, Italy, he was the son of peasant factory workers. Following his father’s death during WWII, Olmi and his mother supported the family working in the Edison-Volta electric plant where Olmi worked as a clerk. While there, he became involved in company-sponsored filmmaking and theatrical projects. Most of the films he made for the company had industrial themes. Eventually, he came to head the company film department and over the next seven years made many documentaries, notably his last Edison-Volta film, Il Tempo Si E Fermato (Time Stood Still), in 1959. It was with this film, a chronicle of the relationship that gradually developed between an elderly nightwatchman… read more
This is a beautiful film. Olmi captures the natural rhythms of life and love. There is a deep sense of faith and humility as well as tenderness in the depiction of ordinary experience. The director manipulates unstylized reality in order to create wonderful art. In a quiet and unassuming way, watching this film is life enhancing.
Was not happy with ending when they evicted that family for something so ridiculous. Really pissed me off and shows just how messed up the world can be. Great film though.
One of the most simple and yet overwhelmingly beautiful films. Each scene moves with such humble purity, to describe the film, as someone above has tried, makes the film sound foolish, but it is this full realisation of the simple beauty of life itself that transcends through every frame. One of the greatest film experiences I've ever enjoyed.
A mid-August Wednesday sees fresh rounds of reviews in Midnight Eye and Cineaste and a screening of Ermanno Olmi's Palme d'or-winning The