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Synopsis

Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein’s The Battleship Potemkin. —IMDb

Director

Original

Brian De Palma

Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers.

Born on the 11th of September in 1940, De Palma was born in New Jersey in an American-Italian family. Originally entering university as a physics student, de Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.

At first, his films comprised of such black-and-white films as Bridge That Gap (1965). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, de Palma made the comedic film Greetings (1968) starring Robert de Niro in his first ever credited film role. The two followed up immediately with the film The Wedding Party (1969) and Hi, Mom… read more

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Qiydaar Foster

19Apr12

I only watched this b/c I like the tv show, and I'm glad I did. OMG the train station sequence!!!!! I LOVE De Palma's camera work here, wowsers! Brilliant! Also, a few minutes into the film I turned the color off on my tv to make this the proper noir that it is. Great lighting! Great shots! My God, I'm inspired.

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Pamastrike

22Mar12

I saw it last night on TV for the first time in almost 10 years... of course i don't see the film with the same eyes, but still entertains.

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Zachary George Najarian-Najafi

22Mar12

I have no idea where all the hate is coming from. The Untouchables is both a loving tribute to classic gangster films and a roaring crowd pleaser. De Palma has taken a tight, economical script by David Mamet, squeezed great performances out his actors, and topped it all off with beautiful cinematography to create a film that is both exciting and emotional. The voyeuristic POV shot of Connery's killer is to die for.

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Brandon Cooley

10Dec11

Poor direction, bad script, terrible acting (Connery included), not to mention historically inaccurate in so many ways.

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By Pierlui​gi Puccini on May 29, 2009

David Mamet’s screenplay is far from the facts, but his cunning dialogues, along with De Palma’s solid narration, both emerge in a thrilling, fun, larger than life clash between good and evil, adorned…  read review

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