Pierre Levasseur, an important CEO, is photographed with his lover, Elena, a world-famous model. In an attempt to salvage his marriage, he tries to convince his wife that Elena is not his lover, but that of François Pignon, a valet who was passing by and ended up on the photograph. To make his story believable, Levasseur then has to convince Pignon and Elena to move in together and to pretend to be a couple. Things get more complicated when this creates tensions between Pignon and his former flatmate Richard and his love interest Émilie, and when Levasseur’s wife discovers the truth and decides to play games with her husband. —IMDb
This prolific French writer and director originally intended to become a doctor but switched to journalism before finding his calling on the stage and screen. Francis Veber began his writing career while serving in the military, contributing to BLED, a publication of the Algerian Army. After his military discharge, he worked as a radio reporter and then segued to writing scripts for the TV series “L’Agence interim”. In 1968, Veber enjoyed his first stage success with the play “L’Enlevement/The Kidnapping”, which enjoyed an eight-month run in Paris. His second play, “Le Contrat/The Contract” led to a scripting assignment for the short film “Appelez-moi Mathilde/Call Me Mathilde” (1970).
With 1971’s “Il etait une fois un flic/There Once Was a Cop” (1971), Veber began his feature career in earnest. For much of the 1970s, he served as writer of a number of successful, farcical comedies that recalled the work of Neil Simon in that most revolved around odd couples. Among his more popular… read more