Adapted by David Mamet from the novel by Barry Reed, Lumet’s masterful courtroom drama features Paul Newman in one of his greatest performances as ‘Frank Galvin,’ an alcoholic Boston ambulance-chaser who takes a seemingly open-and-shut medical malpractice case for an easy settlement. But after visiting the bedside of the comatose plaintiff, Galvin undergoes a crisis of conscience and finds himself pushing the case to trial, where he squares off against a high-end defense attorney (James Mason) and a politically connected judge. Nominated for five Academy Awards: Best Picture, Director, Actor (Newman), Supporting Actor (Mason) and Adapted Screenplay, the film also stars Charlotte Rampling as Newman’s alcoholic lover, and a blink-and-you’ll-miss-him Bruce Willis as a courtroom extra. —Film Society of Lincoln Center
Sidney Lumet (born June 25, 1924) is an American film director, with over 50 films to his name, including 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982), all of which, except for Serpico (1973), earned him Academy Award nominations for Best Director.
According to The Encyclopedia of Hollywood, Lumet is one of the most prolific directors of the modern era making more than one movie per year on average since his directorial debut in 1957. He is especially noted for his ability to draw major actors to his projects. “Because of his visual economy, strong direction of actors, vigorous storytelling and use of the camera to accent themes,” states Turner Classic Movies. “Lumet produced a body of work that could only be defined as extraordinary.”
One of his steady themes during his career has been the “fragility of justice and the police and their corruption,” according to Thomson’s Biographical Dictionary of Film. He can deliver… read more
Didn't really work all that much for me until act 3. But when we get there, boy does it work.
La historia es muy interesante, las actuaciones buenas, pero no me gano el clímax de la película. Y como dice McKee, si el clímax y el desenlace no es bueno, derrumba a una película. Finalmente, hubo un aspecto redentor en la relación de Paul Newman y Charlotte Rampling que si me termino gustando. La escena que muestra la pagina es una de las escenas mejor logradas por la perspectiva y la relación con los personajes.
Paul Newman's performance is simply amazing, you can feel his doubt and sadness in every scene.
Sidney Lumet não precisa ter planos de 1/2 segundo para estimular a atenção do espectador; não precisa de gritos ou reviravoltas implausíveis para fazer um filme de tribunal; não precisa chocar gratuitamente para nos dar um murro no estômago; e não precisa de ser lamechas para ser redentor mesmo entre tanta miséria pessoal e social. Claro que ter o Paul Newman ajuda. Vamos ter saudades destes dois.
Quando alguém age com motivação, inspirado por uma causa que desperta a vocação, poderá até não obter o resultado almejado, mas, como consolo, dormirá em paz com a certeza de haver dado o melhor de… read review