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Synopsis

The Village is a smart, edge-of-your-seat chiller crawling with terrifying surprises and frightening twists and turns. An isolated, tight-knit community lives in mortal fear of an oppressive evil inhabiting the forbidden forest just beyond their tiny village. So frightening that no one ventures into the woods … until one villager dares to face the unknown. —Buena Vista Home Entertainment

Director

Original

M. Night Shyamalan

Manoj Nelliyattu Shyamalan, known professionally as M. Night Shyamalan, is an Indian-born, American filmmaker and screenwriter, known for making movies with contemporary supernatural plots that climax with a twist ending, (though only a third of his features actually do so). He is also known for filming his movies (and staging his plots) in and around Philadelphia, Pennsylvania, where he was raised. Shyamalan released his first film, Praying with Anger, in 1992 while he was a New York University student. His second movie, the major feature film Wide Awake, made in 1996 but not released until three years later, failed to find financial success.

Shyamalan gained international recognition when he wrote and directed 1999’s The Sixth Sense, which was a commercial success and nominated for six Academy Awards, including: Best Picture, Best Director and Best Original Screenplay. He followed The Sixth Sense by writing and directing Unbreakable, released in 2000, which received mixed reviews… read more

Wall

Displaying 4 of 24 wall posts.
Picture of Douglas Reese

Douglas Reese

26Apr12

It's easy to call bullshit on what Shyamalan does here, but when you let it linger and you watch how the cinematography matches with the music, and how the editing flows with the music, that this is a piece of poetry. Somber and maddening, Shyamalan lets it all dance toward a final act that is purely terrifying in its demonstration of fear. Heartbreaking.

Trevor Tillman and HKFanatic like this

  • Picture of HKFanatic

    HKFanatic

    26Apr12

    I couldn't agree more. This is the last Shyamalan film that I truly enjoyed, but it is a beauty.

Picture of fleurare

fleurare

29Mar12

The story is fascinating and the acting is brilliant, but The Village suffers from some really silly scenes that are laughable. Also, if I had made this film, I would not have used the camera like this.

Picture of Christopher A. Cook

Christopher A. Cook

23Dec11

When I first viewed this movie I absolutely hated it, I saw nothing good in it and I hated the twist. A friend pushed me to rewatch it and I have to say I was completely wrong. This is an incredible film, I found myself smiling many times at the sweetness, and feeling the tension between Hurt and Weaver. The switch of protagonist is shocking and works incredibly well. Look at it as a love story in a scary world.

Sveta and 3 others like this

Varun Anisetty, Mathias Palmberg, Trevor Tillman

Picture of Lights in the Dusk

Lights in the Dusk

2Nov11

Like Jancsó's The Round-Up, an ancient 'historical' setting used to explore contemporary concerns. 'The village' becomes a metaphor for America in the shadow of 9/11; fearful, hermetic, fuelled by scaremongering and propaganda. The 'monsters' that breach the periphery are representations of a society so blinded by pious self-righteousness that they fail to recognise violence and resentment as inherently human traits.

Mathias Palmberg and 4 others like this

orangey, HKFanatic, Trevor Tillman, Jack Lehtonen

  • Picture of orangey

    orangey

    4Jan12

    are you serious ? anyway great commentary either way

  • Picture of Lights in the Dusk

    Lights in the Dusk

    5Jan12

    Yeah, completely serious I'm afraid. In fact, I'm currently writing a much longer essay on the film; hopefully I'll be able to expand a bit on what I wrote here, but I also want to talk about other aspects of the film too. I mean, if I ever finish it. I doubt there's much of an audience for it.

  • Picture of Trevor Tillman

    Trevor Tillman

    22Jan12

    Can't wait for you to finish that essay!

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