Marquand and Maria are painters and lovers who live together. After Marquand wins an important prize, with a considerable amount of money attached, his creativity wanes. As Maria works on series of paintings, Marquand visits his friend Gregor, a horse breeder and philosopher, sleeps with the angelic Angie and visits his daughter Lucia several times. Marquand and Lucia, who have begun a tender affair, spend a few nights in a hotel on the coast where they agree not to speak a word. Maria, who has no idea, knows all the same. Their love is over. She abruptly stops work on her series, starts on a new painting titled ‘The Visible and the Invisible’, and goes back to her old lover, Gregor. Back from his short trip, Marquand paints a final painting, well aware that the 40 pills in his bottle of vodka will have the desired effect. —german-films.de
Born in Wallau/Lahn (now Biedenkopf) on 14.11.1939; took final school examinations at a Christian boarding school in Gaienhofen near Lake Constance in 1960. Took up studies in German language and literature, philosophy and history in Munich and in Bonn in 1960. Following a trip to Paris, he began writing his first film reviews for the newspaper Bonner Generalanzeiger in 1962. Moved to Munich, where he began writing articles for the periodicals Filmkritik and Film as well as for the Süddeutscher Zeitung. In 1964 he collaborated with Max Zihlmann and Klaus Lemke on his first short film and became managing director of the Munich Film Critics’ Club in 1965. Worked as a loans consultant for the building society Neue Heimstatt and broke off his dissertation on Albert Paris Gütersloh’s novel Sonne und Mond to make his first full-length feature film; moved to Berlin in 1973 where he wrote film reviews for the newspaper Der Tagesspiegel and the magazine, Hobo. Also worked for the Freunde der… read more